Nadir
by Apostolos Paraskevas
Classical Guitar - Digital Sheet Music

Solo Guitar - Digital Download

SKU: A0.942099

Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099).

Nadir (1994) is written for "prepared" guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for "prepared" piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir  suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription "...but sooner or later we live forever" - a final optimistic touch. Nadir  was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it.

"...Dr. Paraskevas, is an amazingly versatile guitarist.  He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see).  What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes.  The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary.   In short, this is an essential CD for those interested in modern classical guitar".

                                                                                     Fanfare/January/February 2000/Raymond Tuttle

(Visions of Azure)

"...on this solo guitar recording demonstrates his talent not only in the composition area but also in performance, as he tackles technically challenging pieces with ease and finesse. ...The effects on his "Slave Story" are almost otherworldly, as he starts un-tuning the lowest string, creating a very low sound;  in "Nadir" the sounds get even odder as Paraskevas inserts paper clips on the fingerboard.  He ends the disc heading home with traditional  Greek themes dominating the brisk "Chase Dance".

                                                                                          Bostonia Magazine (T. McNeil)/Spring 1999

"...a young and highly gifted musician..."

"  .Apostolos Paraskevas is a genuine innovator, a discoverer of----well, one hesitates to say new sounds, because it’s difficult to make such claims.  But they sound new, and clearly he has an original mind that should make future compositions worth listening to".

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