Concerto Capriccioso
for Flute and Concert Band
Concert Band - Sheet Music

Item Number: 22027175
5 out of 5 Customer Rating
Price reduced from $211.95 to $190.75
Order On Demand
  • Ships in 2 to 3 weeks

Taxes/VAT calculated at checkout.

Ensembles
Genres
Item Types
Levels
Musical Forms
Concert Band - Grade 4

SKU: BT.DHP-1053846-040

For Flute and Concert Band. Composed by Kees Schoonenbeek. Soloworks. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053846-040. Published by De Haske Publications (BT.DHP-1053846-040).

English-German-French-Dutch.

Concerto Cappricioso begins with a short fanfare-like opening. It?s three movements then develop with exciting dialogues between the soloist and the main concert band, which both answers and accompanies the soloist, in addition to adding their own new material. The musical game between the solis and accompaniment will captivate and delight your audience every time.

Concerto Cappricioso beginnt mit einer kurzen fanfareähnlichen Einleitung. Dann entwickeln sich drei Sätze voll von spannenden Dialogen zwischen dem Solisten und dem übrigen Blasorchester, das mal kommentierend, mal antwortend und mal begleitend agiert. Das musikalische Spiel zwischen Solist und Begleitung wird Ihr Publikum immer wieder aufs Neue begeistern.

La brève introduction prépare l’entrée du soliste qui explore le tissu musical travers un solo joué rubato. La musique adopte ensuite la forme concertato. L’accompagnement dévoile ses réponses et commente le sujet par intervalles. Le deuxième mouvement est une douce rêverie tandis que le troisième développe un dialogue entre le soliste et l’accompagnement. Le jeu musical est particulièrement plaisant et captivant pour l’auditoire.

La breve introduzione prepara l’entrata del solista che esplora il tessuto musicale attraverso un assolo eseguito rubato. La musica adotta in seguito la forma del concertato. L’accompagnamento svela le sue risposte e commenta il soggetto con intervalli. Il secondo movimento è una dolce fantasia, mentre il terzo sviluppa un dialogo tra il solista e l’accompagnamento. Il gioco musicale si dimostra per il pubblico particolarmente piacevole e accattivante.