Christmas Brass (Additional Full Score)
by Richard Peaslee
Brass Band - Sheet Music

Item Number: 20315952
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Ensembles
Composers
Formats
Item Types
Instructionals
Brass band, string bass, percussion and guitar

SKU: EC.7.0698

Composed by Richard Peaslee. Christmas, lessons and carols, 20th century. Full score. Galaxy Music Corporation #7.0698. Published by Galaxy Music Corporation (EC.7.0698).

ISBN 600313706981. UPC: 600313706981.

Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30 The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly. In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-like closing passage. In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending. Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style. In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba. Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending. Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion.