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Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. This edition: urtext. Stuttgart Urtext Edition: Schutz; Hymns by Martin Luther: Litanei. Kyrie eleison. Sacred concertos, Sacred vocal music, Psalms. Full score (complete edition / selected edition). 368 pages. Carus Verlag #CV 20.919/00. Published by Carus Verlag (CA.2091900).
ISBN 9790007171711.
Volume 19 of the Schutz Complete Edition brings together 21 very different compositions from various phases of Schutz's compositional output. The spectrum ranges from a short, two-part sacred concerto to a six-part cyclical psalm setting and large-scale polychoral concerto, from well-known works such as the "Osterdialog" to a completely unknown madrigalian composition, full of emotion, to a simple chorale setting. A particular challenge was posed by the ten works or versions of works which survive incomplete. Two of these, the Christmas concerto "Ach Herr, du Schopfer aller Ding" SWV 450a and "Ein Kind ist uns geboren" SWV 497, appear here for the first time in print. With both of these it turned out that it was possible to reconstruct the missing parts fully from available material. For the "Ultima Verba Psalmi 23", "Gutes und Barmherzigkeit" SWV 95 and the two "Nunc dimittis: Herr, nun lassest du deinen Diener" SWV 432 and 433, the editor's reconstructions are presented, and likewise with the chorale movement "In dich hab ich gehoffet, Herr" SWV 446. The impressive Easter dialog "Weib, was weinest du" SWV 443 is one of the works which survives incomplete. In order to give an impression of how the whole work might actually have sounded in the complete form as planned by Schutz, the Appendix to the volume contains a reconstruction of the four-part vocal setting of the missing final chorus, based on the surviving figured bass. The magnificent "Gesang der drei Manner im feurigen Ofen" (Song of the three men in the burning fiery furnace) SWV 448 from the book of the prophet Daniel, the original source of which is lost, is critically discussed and published with various possibilities for scoring.
Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. This edition: urtext. Stuttgart Urtext Edition: Schutz; Hymns by Martin Luther: Litanei. Kyrie eleison. Sacred concertos, Sacred vocal music, Psalms. Full score (complete edition / selected edition). 368 pages. Carus Verlag #CV 20.919/00. Published by Carus Verlag (CA.2091900).
ISBN 9790007171711.
Volume 19 of the Schutz Complete Edition brings together 21 very different compositions from various phases of Schutz's compositional output. The spectrum ranges from a short, two-part sacred concerto to a six-part cyclical psalm setting and large-scale polychoral concerto, from well-known works such as the "Osterdialog" to a completely unknown madrigalian composition, full of emotion, to a simple chorale setting. A particular challenge was posed by the ten works or versions of works which survive incomplete. Two of these, the Christmas concerto "Ach Herr, du Schopfer aller Ding" SWV 450a and "Ein Kind ist uns geboren" SWV 497, appear here for the first time in print. With both of these it turned out that it was possible to reconstruct the missing parts fully from available material. For the "Ultima Verba Psalmi 23", "Gutes und Barmherzigkeit" SWV 95 and the two "Nunc dimittis: Herr, nun lassest du deinen Diener" SWV 432 and 433, the editor's reconstructions are presented, and likewise with the chorale movement "In dich hab ich gehoffet, Herr" SWV 446. The impressive Easter dialog "Weib, was weinest du" SWV 443 is one of the works which survives incomplete. In order to give an impression of how the whole work might actually have sounded in the complete form as planned by Schutz, the Appendix to the volume contains a reconstruction of the four-part vocal setting of the missing final chorus, based on the surviving figured bass. The magnificent "Gesang der drei Manner im feurigen Ofen" (Song of the three men in the burning fiery furnace) SWV 448 from the book of the prophet Daniel, the original source of which is lost, is critically discussed and published with various possibilities for scoring.
Preview: Opera varia I. Works with 1-7 parts (Complete edition, vol. 19) [Werke mit 1-7 obligaten Stimmen]
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