Violin Sonata in E-flat Major, Op. 18 Violin and Piano by Richard Strauss Violin Solo - Sheet Music

By Richard Strauss

Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss' most popular chamber music compositions to this day. In the outer movements, its piano setting and modulations break the intimate mould of chamber music, alluding to the sensational first symphonic poems written at the same time. Between the first and last movements, both of which are also technically very demanding, the slow middle movement, “Improvisation”, offers a respite. A kind of song without words, it was also published as a single movement and enjoyed great popularity in the years around 1900 in household and salon concerts. Ulrich Krämer is responsible for editing this Urtext edition, Arabella Steinbacher kindly provided the markings for the violin part and Michael Korstick those for the piano part.

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Details

Summary
Instrument:
Piano Accompaniment Violin Solo
Genres:
20th Century
Composers:
Richard Strauss
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
840126932959
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
Sonata
Artist:
Richard Strauss
Usages:
School and Community
Size:
9.0x12.0x0.333 inches
Number of Pages:
98
Shipping Weight:
1.19 pounds
Detailed Description
Piano Accompaniment; Violin (violin/piano)

SKU: HL.51481298

Violin and Piano. Composed by Richard Strauss. Edited by Ulrich Krä and mer. Henle Music Folios. Classical. Softcover. 98 pages. G. Henle #HN1298. Published by G. Henle (HL.51481298).

UPC: 840126932959. 9.0x12.0x0.333 inches.

Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss' most popular chamber music compositions to this day. In the outer movements, its piano setting and modulations break the intimate mould of chamber music, alluding to the sensational first symphonic poems written at the same time. Between the first and last movements, both of which are also technically very demanding, the slow middle movement, “Improvisation”, offers a respite. A kind of song without words, it was also published as a single movement and enjoyed great popularity in the years around 1900 in household and salon concerts. Ulrich Krämer is responsible for editing this Urtext edition, Arabella Steinbacher kindly provided the markings for the violin part and Michael Korstick those for the piano part.

About Henle Urtext

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  • preface in 3 languages with information on the genesis and history of the work 
  • Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
  • most beautiful music engraving 
  • page-turns, fold-out pages, and cues where you need them 
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