• Cello Sonata Piano Accompaniment - Sheet Music

Cello Sonata for Cello and Piano Marked and Unmarked String Parts Piano Accompaniment - Sheet Music

Curtain up for Henriëtte Bosmans! The Sonata for cello and piano written in 1919 by the Dutch composer and pianist is a real discovery: exuberant and singing music in a late Romantic style. Both instruments come into their own; cellist Marix Loevensohn was probably the inspiration for the solo part. Bosmans later had to bear a hard fate; as a Jewess, she was banned from her profession and personally persecuted by the National Socialists. In this Urtext edition of the sonata, numerous errors in the first edition, which was published in 1919, have been corrected for the first time. The edition by G. Henle Publishers was made in collaboration with cellist Raphaela Gromes and pianist Julian Riem, who also recorded this sonata and reveal their fingerings here. A great deal of interesting information about the composer and her work is also presented in the preface by Bosmans expert Helen H. Metzelaar.

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Details

Summary
Instrument:
Piano Accompaniment Cello Solo
Genres:
Classical
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
196288367154
Format:
Solo Part Score Set of Parts Collection / Songbook
Item types:
Physical
Musical forms:
Sonata
Usages:
School and Community
Size:
9.0x12.0x0.213 inches
Shipping Weight:
0.73 pounds
Detailed Description
Cello; Piano Accompaniment (Score and Solo Part)

SKU: HL.51481667

For Cello and Piano Marked and Unmarked String Parts. Composed by Henriëtte Bosmans. Edited by Andreas Pernpeintner. Henle Music Folios. Classical. Softcover. G. Henle #HN1667. Published by G. Henle (HL.51481667).

UPC: 196288367154. 9.0x12.0x0.213 inches.

Curtain up for Henriëtte Bosmans! The Sonata for cello and piano written in 1919 by the Dutch composer and pianist is a real discovery: exuberant and singing music in a late Romantic style. Both instruments come into their own; cellist Marix Loevensohn was probably the inspiration for the solo part. Bosmans later had to bear a hard fate; as a Jewess, she was banned from her profession and personally persecuted by the National Socialists. In this Urtext edition of the sonata, numerous errors in the first edition, which was published in 1919, have been corrected for the first time. The edition by G. Henle Publishers was made in collaboration with cellist Raphaela Gromes and pianist Julian Riem, who also recorded this sonata and reveal their fingerings here. A great deal of interesting information about the composer and her work is also presented in the preface by Bosmans expert Helen H. Metzelaar.

About Henle Urtext

What I can expect from Henle Urtext editions:

  • error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
  • preface in 3 languages with information on the genesis and history of the work 
  • Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
  • most beautiful music engraving 
  • page-turns, fold-out pages, and cues where you need them 
  • excellent print quality and binding 
  • largest Urtext catalogue world-wide 
  • longest Urtext experience (founded 1948 exclusively for "Urtext" editions)

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