World's Largest Sheet Music Selection

5267088
Strings Meet the Masters
5267088
5267088

Strings Meet the Masters Symphony No. 5 by Beethoven/New World Symphony by Dvorak 1812 Overture by Tchaikovsky by Peter Ilyich Tchaikovsky String Orchestra - Sheet Music

By Ludwig van Beethoven
Strings Meet the Masters String Orchestra scores gallery preview page 1
Strings Meet the Masters String Orchestra scores gallery preview page 2
Strings Meet the Masters String Orchestra scores gallery preview page 3
Strings Meet the Masters by Peter Ilyich Tchaikovsky String Orchestra - Sheet Music
Strings Meet the Masters by Peter Ilyich Tchaikovsky String Orchestra - Sheet Music page 2
Strings Meet the Masters by Peter Ilyich Tchaikovsky String Orchestra - Sheet Music page 3
Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS25

Symphony No. 5 by Beethoven/New World Symphony by Dvorak 1812 Overture by Tchaikovsky. Composed by Antonin Dvorak, Ludwig van Beethoven, and Peter Ilyich Tchaikovsky. Arranged by Joseph Compello. This edition: Very Easy. Folio. Carl Fischer First Plus String Orchestra Series. Jazz. Score and Parts. With Standard notation. 42 pages. Carl Fischer Music #FAS25. Published by Carl Fischer Music (CF.FAS25).

ISBN 9780825854798. UPC: 798408054793. 9 x 12 inches. Key: G major.

The opening measures of Strings Meet the Masters (Symphony No. 5 by Beethoven) have been simplified for young string players by:

  1. Replacing the fermatas with measured pauses.
  2. Giving two and a half beats rest before the opening note to make an easier count-off.
If the optional timpani part is used, note that the pitches change at m.37 where the 1812 Overture begins. If timpani are not used, another type of cannon-shot sound effect will be required beginning at m.49. A bass drum will do nicely, or the director may wish to investigate extremely realistic cannon sound effects produced by a synthesizer. Performance time is approximately three minutes. That you for choosing this arrangement. It is also available for band under the title Meet the Masters, catalogue number FPS35. Your comments are always most welcome. Joseph Compello Glen Arm, Maryland, 2004.
The opening measures ofA Strings Meet the Masters (Symphony No. 5A by Beethoven) have been simplified for young string players by:
  1. Replacing the fermatas with measured pauses.
  2. Giving two and a half beats rest before the opening note to make an easier count-off.
If the optional timpani part is used, note that the pitches change at m.37 where theA 1812 Overture begins. If timpani are not used, another type of cannon-shot sound effect will be required beginning at m.49. A bass drum will do nicely, or the director may wish to investigate extremely realistic cannon sound effects produced by a synthesizer. Performance time is approximately three minutes. That you for choosing this arrangement. It is also available for band under the titleA Meet the Masters, catalogue number FPS35. Your comments are always most welcome. Joseph Compello Glen Arm, Maryland, 2004.
The opening measures of Strings Meet the Masters (Symphony No. 5 by Beethoven) have been simplified for young string players by: Replacing the fermatas with measured pauses. Giving two and a half beats rest before the opening note to make an easier count-off. If the optional timpani part is used, note that the pitches change at m.37 where the 1812 Overture begins. If timpani are not used, another type of cannon-shot sound effect will be required beginning at m.49. A bass drum will do nicely, or the director may wish to investigate extremely realistic cannon sound effects produced by a synthesizer. Performance time is approximately three minutes. That you for choosing this arrangement. It is also available for band under the title Meet the Masters, catalogue number FPS35. Your comments are always most welcome. Joseph Compello Glen Arm, Maryland, 2004.
The opening measures of Strings Meet the Masters (Symphony No. 5 by Beethoven) have been simplified for young string players by: Replacing the fermatas with measured pauses. Giving two and a half beats rest before the opening note to make an easier count-off.If the optional timpani part is used, note that the pitches change at m.37 where the 1812 Overture begins. If timpani are not used, another type of cannon-shot sound effect will be required beginning at m.49. A bass drum will do nicely, or the director may wish to investigate extremely realistic cannon sound effects produced by a synthesizer.Performance time is approximately three minutes.That you for choosing this arrangement. It is also available for band under the title Meet the Masters, catalogue number FPS35.Your comments are always most welcome.Joseph CompelloGlen Arm, Maryland, 2004.
The opening measures ofxa0Strings Meet the Masters (Symphony No. 5xa0by Beethoven) have been simplified for young string players by:Replacing the fermatas with measured pauses.Giving two and a half beats rest before the opening note to make an easier count-off.If the optional timpani part is used, note that the pitches change at m.37 where thexa01812 Overture begins. If timpani are not used, another type of cannon-shot sound effect will be required beginning at m.49. A bass drum will do nicely, or the director may wish to investigate extremely realistic cannon sound effects produced by a synthesizer.Performance time is approximately three minutes.That you for choosing this arrangement. It is also available for band under the titlexa0Meet the Masters, catalogue number FPS35.Your comments are always most welcome.Joseph CompelloGlen Arm, Maryland, 2004.

Close X

By signing up you consent with the terms in our Privacy Policy

I am a music teacher.