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Parts. Composed by Antonin Dvorak. Edited by Peter Jost. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 65 pages. G. Henle #HN1232. Published by G. Henle (HL.51481232).
ISBN 9790201812328. UPC: 888680625641. 9.5x12.25x0.212 inches.
After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's “Pastoral” - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “American Quartet”. For the first time since 1955, the quartet is once again being published in an Urtext edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Parts. Composed by Antonin Dvorak. Edited by Peter Jost. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 65 pages. G. Henle #HN1232. Published by G. Henle (HL.51481232).
ISBN 9790201812328. UPC: 888680625641. 9.5x12.25x0.212 inches.
After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's “Pastoral” - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “American Quartet”. For the first time since 1955, the quartet is once again being published in an Urtext edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: String Quartet F major op. 96 (American Quartet) op. 96
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