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3762751
3762751
3762751

Sonatinas for Piano and Violin Op. Post. 137

By Franz Schubert

https://www.sheetmusicplus.com/title/sonatinas-for-piano-and-violin-op-post-137-sheet-music/3762751

Piano, Violin - Henle Level 4-5
Composed by Franz Schubert (1797-1828). Edited by Gunter Henle. Henle Music Folios. Pages: Score = IV and 48 * Violin Part = 19. Classical. Softcover. 72 pages. G. Henle #HN6. Published by G. Henle (HL.51480006).

Item Number: HL.51480006

9.25x12.25 inches.

Every young violinist is familiar with Schubert's sonatinas for violin and piano. The title “sonatinas” used here is derived from the posthumous print of 1836; Schubert himself called them “sonatas.” The diminutive form was no doubt selected because the pieces are fairly easy to play; marketing considerations perhaps also played a role here. With their typically lively, Schubertian melodies, they are among the most popular pieces ever written for piano and violin, and have continuously maintained their position as “bestsellers” in the Henle catalog (having the “early” publisher's number 6!). Schubert wrote them in 1816, thus at the age of 19. The first edition sometimes diverges considerably from the autograph; fortunately it has survived almost in its entirety (missing is the finale of the 2nd sonatina). For this final movement, the first edition had to be consulted as a source.

  • Sonatina for Piano and Violin, D major, D 384 (Violin and piano)  Performed by Franz Schubert
  • Sonatina for Piano and Violin, A minor, D 385 (Violin and piano)  Performed by Franz Schubert
  • Sonatina for Piano and Violin, G minor, D 408 (Violin and piano)  Performed by Franz Schubert
  • Ratings + Reviews

  • 5

    Marcus
    Location:
    New York
    Difficulty Level:
    Not sure
  • 2014-06-03 10:37:46.0 Henle scholarship & customer service

    I've long admired the engraving, printing, paper & binding quality of Henle editions. Recently I've gained a new respect for their scholarship, which for the first time makes their scores seem to me quite reasonably priced. Studying the first piece in this volume, I was amazed at the differences...

    I found between various editions, even three Urtext editions (Baerenreiter, Vienna, and Henle). Online research helped to some extent, including the free commentary on Henle's website from their publication of this piece's autographs in facsimile. But as the preface of this Sonatinas volume stated that Henle "will be pleased to furnish further information to those interested," I emailed my remaining questions, and two days later received a response generous both in detail and in respect for the complexity of the source situation and the different interpretations of other Urtext publishers. My only gripe: Henle misleadingly retains the traditional title of what Schubert called Sonatas.

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