Orchestral Excerpts For Oboe with Piano Accompaniment by Franz Schubert Chamber Music - Sheet Music

Chamber Music oboe

SKU: PR.414411890

With Piano Accompaniment. Composed by Bedrich Smetana, Claude Debussy, Dmitri Shostakovich, Franz Schubert, Georges Bizet, Gustav Mahler, Hector Berlioz, Igor Stravinsky, Johannes Brahms, Ludwig van Beethoven, Maurice Ravel, Richard Strauss, Samuel Barber, and Sergei Prokofiev. Edited by Daniel Dorff. Arranged by Martha Rearick Maurice Ravel. Perfect. Back To School. Romantic. Methods And Studies. With Standard notation. Composed 2002. 186 pages. Theodore Presser Company #414-41189. Published by Theodore Presser Company (PR.414411890).

ISBN 9781598060089. UPC: 680160090204. 9x12 inches. Text: John Ferrillo.

The fifth book in our line of Orchestral Excerpts addresses the audition process for orchestral oboists, by one of the world’s finest! John Ferrillo, Principal Oboist with the Boston Symphony Orchestra, knows the agony, the angst, and the anticipation of the audition arena. His overview of his own experiences and his advice is fascinating reading. Ferrillo also goes into some detail on the use of “long-tone exercises” and “melodic simplification,” techniques you can use in everyday music-making. Also included is his advice on “Baroque and Classical Performance Practice,” invaluable insights from an expert. With this foundation, Ferrillo presents the most-often-requested audition pieces, all of which you should know. Throughout, he gives his thoughts on the preparation, presentation and performance of each excerpt. As with the other books in our Orchestral Excerpts line, the oboe solo parts are faithfully reproduced in the most-often-used editions. But these are the editions from which you would be expected to play. Martha Rearick has transcribed the orchestral background into studio rehearsal accompaniments, retaining the flavor and dynamics of the instruments surrounding the oboe parts. All of it is geared toward maximizing your practice time and building the confidence you need as you approach your orchestral opportunity.