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Favorite Christmas Carols for Classical Players - Cello and Piano

20 Intermediate Level Arrangements

By Various

Cello Cello; Piano Accompaniment
20 Intermediate Level Arrangements. Composed by Various. For Classical Players. Christmas. Softcover Audio Online. 72 pages. Published by Hal Leonard (HL.278409).

Item Number: HL.278409

ISBN 9781540029829. 9.0x12.0x0.257 inches. Book/Online Audio.

Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High * Away in a Manger * Coventry Carol * Deck the Hall * The First Noel * God Rest Ye Merry, Gentlemen * Good Christian Men, Rejoice * He Is Born * In the Bleak Midwinter * Infant Holy, Infant Lowly * Joy to the World * Lo, How a Rose E'er Blooming * O Come, All Ye Faithful * O Come, O Come, Emmanuel * O Holy Night * Once in Royal David's City * Silent Night * Still, Still, Still * Sussex Carol * What Child Is This?

  • Angels We Have Heard On High 
  • Away In A Manger 
  • Coventry Carol 
  • Deck the Hall 
  • The First Noel 
  • God Rest Ye Merry, Gentlemen 
  • Good Christian Men, Rejoice 
  • He Is Born 
  • In the bleak midwinter 
  • Infant Holy, Infant Lowly 
  • Joy To The World 
  • Lo, How a Rose E'er Blooming 
  • O Come, All Ye Faithful 
  • O Come, O Come, Emmanuel 
  • O Holy Night 
  • Once In Royal David's City 
  • Silent Night 
  • Still, Still, Still 
  • Sussex Carol 
  • What Child Is This? 

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Buy both for $26.99

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  • Ratings + Reviews

  • 3

    Still Teaching
    Washington State
    Difficulty Level:
  • November 24, 2019 Neat sounds, awkward arrangements

    While there are some cool arrangements in this book (Oh Come, All Ye Faithful has a very modern feel which is fun), the arrangements themselves are awkward for both instruments. The piano part reads in many of the songs like it was not written by actual piano players; voicings are...

    strangely spaced and chords are not written pianistically. My cellist partner had similar objections to her part; sudden shifts in clefs where they weren’t really warranted, strange fingerings that weren’t comfortable, etc. For rhythms and other basic considerations, “Intermediate” is a good first impression for level, but the awkwardness of the arranging made it a challenge to read for us, two advanced musicians. The book has its merits, but I wouldn’t advise purchasing this as a backbone for a Christmas concert or collection, nor as teaching literature.

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