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20133706
Concert Pieces Op. 113 and 114
20133706
20133706

Concert Pieces Op. 113 and 114 for Clarinet, Basset Horn (or 2 Clarinets) and Piano by Felix Bartholdy Mendelssohn Clarinet - Sheet Music

By Felix Bartholdy Mendelssohn
Concert Pieces Op. 113 and 114 Clarinet scores gallery preview page 1
Concert Pieces Op. 113 and 114 Clarinet scores gallery preview page 2
Concert Pieces Op. 113 and 114 Clarinet scores gallery preview page 3
Concert Pieces Op. 113 and 114 Clarinet scores gallery preview page 4
Concert Pieces Op. 113 and 114 Clarinet scores gallery preview page 5
Concert Pieces Op. 113 and 114 Clarinet scores gallery preview page 6
Concert Pieces Op. 113 and 114 by Felix Bartholdy Mendelssohn Clarinet - Sheet Music
Concert Pieces Op. 113 and 114 by Felix Bartholdy Mendelssohn Clarinet - Sheet Music page 2
Concert Pieces Op. 113 and 114 by Felix Bartholdy Mendelssohn Clarinet - Sheet Music page 3
Concert Pieces Op. 113 and 114 by Felix Bartholdy Mendelssohn Clarinet - Sheet Music page 4
Concert Pieces Op. 113 and 114 by Felix Bartholdy Mendelssohn Clarinet - Sheet Music page 5
Concert Pieces Op. 113 and 114 by Felix Bartholdy Mendelssohn Clarinet - Sheet Music page 6
Chamber Ensemble Bassetthorn; Clarinet; Piano (Clarinet, Basset Horn (2 Clarinets) and Piano)

SKU: HL.51481067

For Clarinet, Basset Horn (or 2 Clarinets) and Piano. Composed by Felix Bartholdy Mendelssohn. Edited by Frank Heidlberger. Arranged by Klaus Schilde. Sheet Music. Paperbound. Henle Music Folios. With additional Clarinet II part in B (instead of Basset Horn) Op. 113 f minor, op. 114 d minor. Classical. Softcover. 112 pages. G. Henle #HN1067. Published by G. Henle (HL.51481067).

ISBN 9790201810676. UPC: 888680093716. 9.25x12.25x0.378 inches.

“Favorite dish in exchange for favorite music” - this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the basset horn, stopped to pay a visit to Felix Mendelssohn Bartholdy in 1832, they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel) that Mendelssohn was mad about, if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the clarinet family.

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