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20153283
20153283
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20153283

Charango Method

Metodo de Charango

By Italo Pedrotti

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Charango - Beginning
Metodo de Charango. Composed by Italo Pedrotti. Other String Acoustic, Spanish Language, Latin American, Perfect binding. Style. Book and online audio. 208 pages. Mel Bay Publications, Inc #20325M. Published by Mel Bay Publications, Inc (MB.20325M).

Item Number: MB.20325M

ISBN 9780786688296. 8.75 x 11.75 inches.

Este es el primer metodo Charango que utiliza la notacion musical convencional, y el unico texto bilingue (espanol e ingles) de este tipo. Estas caracteristicas hacen que el metodo sea atractivo para musicos con una amplia variedad de antecedentes culturales, intereses y niveles de habilidad.El metodo consta de dos partes: una primera seccion sobre tecnicas de rasgueo y una segunda seccion sobre tecnicas de punteo melodico. La primera seccion proporciona un metodo claro y preciso para aprender las habilidades rasgueo repique y tremolo que son fundamentales para el repertorio de Charango. La segunda seccion, mientras tanto, proporciona una guia indispensable para las tecnicas expresivas para embellecer las lineas melodicas, que incluyen martillos y extracciones, trinos, melodias simultaneas y arpegios.El metodo es apropiado para una amplia gama de niveles de habilidad musical, desde principiantes hasta charanguistas expertos que desean mejorar sus habilidades tecnicas. Los ejercicios son claros y progresivos. En el caso de que el estudiante no este familiarizado con la teoria de la musica, un apendice aclara los conceptos basicos de la notacion musical. Ademas de 201 ejercicios escritos para el solo de Charango, el metodo incluye 23 clasicos de la musica folclorica sudamericana organizados para acompanar el charango y la guitarra. Por lo tanto, sirve como una herramienta pedagogica y una fuente de repertorio de rendimiento. Las partituras musicales incluidas en el metodo van acompanadas de una descarga de audio gratuita de ejercicios, asi como un repertorio interpretado por reconocidos instrumentistas chilenos.This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels. The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. The second section, meanwhile, provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios. The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized Chilean Instrumentalists.Translations of This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels. The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. The second section, meanwhile, provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios. The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized Chilean Instrumentalists.Definitions of This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels. The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. The second section, meanwhile, provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios. The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized Chilean Instrumentalists.Examples of This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels. The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. The second section, meanwhile, provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios. The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized Chilean Instrumentalists.Synonyms of This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels. The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. The second section, meanwhile, provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios. The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized Chilean Instrumentalists.See also This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels.The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. The second section, meanwhile, provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios.The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized Chilean Instrumentalists.

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