Bassoon Concerto in F major Op. 75
By Carl Maria von Weber

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Instrument:

Bassoon Solo

Piano Accompaniment

Format:

Reduction

Series:

Trinity College London: Bassoon (2017-2020)

Publisher:

Breitkopf and Haertel

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Bassoon and piano (solo: bsn - 2.2.0.2 - 2.2.0.0 - timp - str)
Composed by Carl Maria von Weber (1786-1826). Edited by Ulrich Haverkampf. Arranged by Ulrich Haverkampf. Solo concerto. Edition Breitkopf. Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Romantic period. Piano reduction. Breitkopf and Haertel #EB 6708. Published by Breitkopf and Haertel (BR.EB-6708).

Item Number: BR.EB-6708

ISBN 9790004169117. 9 x 12 inches.

Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Carl Maria von Weber wrote the present concerto in 1811 for the Munich bassoon player Georg Friedrich Brandt. The date of the world premiere is not known; what is ascertained, however, is a performance in Prague on 19 February 1813 by Brandt, to whom the work was dedicated.

Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Weber illustrates the instrument's qualities by using a different form in each movement, as we can see in its primary themes: the opening movement is dominated by a rhythmically striking theme; cantabile passages set the tone for the more lightly scored Adagio; and in the closing Rondo. Allegro, the soloist can demonstrate his virtuosity from the very beginning through large intervallic leaps and rapid runs. 1811 im Lauf weniger Wochen fur Heinrich Joseph Baermann (1784-1847) dem Klarinettisten der Munchner Hofkapelle dem das Werk auch gewidmet ist. Carl Maria von Weber schrieb sein Klarinettenkonzert f-moll 1811 im Lauf weniger Wochen fur Heinrich Joseph Baermann (1784-1847) dem Klarinettisten der Munchner Hofkapelle dem das Werk auch gewidmet ist. Die Urauffuhrung fand am 13. Juni 1811 in Munchen mit grossem Erfolg statt. Im Druck erschien das f-moll-Konzert erst 1822.

Das Werk weist die klassische dreisatzige Form auf. Aussergewohnlich sind dabei zwei kleine hochromantische Kammermusiksatze fur Klarinette und Horntrio die den Mittelteil und die Schlusstakte des Adagios darstellen.

Hauptquelle der vorliegenden Urtext-Ausgabe ist das Autograph. Der Anhang enthalt die Kadenz Baermanns zum ersten Satz sowie die beiden erwahnten Hornpassagen in einer auffuhrungspraktischen Streicherbearbeitung des Komponisten. F minor in the course of only a few weeks in 1811. It was written for Heinrich Joseph Baermann (1784-1847) the.