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Für 2 Gitarren. By Erzsebet Nagy. Book Only. Composed 2007. 28 pages. Editio Musica Budapest #EMBZ14587. Published by Editio Musica Budapest (BT.EMBZ14587).
Hungarian-English-German-French.
The lute, an instrumental relative of the guitar, has a rich and valuable chamber literature, particularly from the Renaissance period. Apart from the dance music fashionable at the time, transcriptions of vocal pieces for the keyboard were also popular. (Often the composer himself transcribed his own madrigals as songs with lute accompaniment or as solo lute pieces.) In this volume compiled by the well-known guitar and chamber music teacher Erzsébet Nagy, part of the material consists of transcriptions for two guitars of Renaissance madrigals and songs with lute accompaniment, the remaining pieces represent the dance music of the period in simplified form, the selection alsoincludes two original lute duets by John Dowland.
Die der Gitarre verwandte Laute kann eine reiche und wertvolle Kammermusikliteratur, vor allem aus der Renaissance, ihr Eigen nennen. Außer der damals modernen Tanzmusik waren auch Transkriptionen vokaler Stücke für Laute oder Tasteninstrumente populär. (Oft arbeitete der Komponist selbst seine Madrigale zu lautenbegleiteten Liedern oder Sololautenstücken um.) Ein Teil des Stoffes in dem von der bekannten Gitarre- und Kammermusiklehrerin, Erzsébet Nagy, zusammengestellten Band sind Transkriptionen von Madrigalen der Renaissance und lautenbegleiteter Lieder für zwei Gitarren. Die weiteren Stücke sind der damaligen Tanzmusik entnommen, nur in vereinfachter Form präsentiert. In dieAuswahl wurden aber auch zwei originale Lautenduos John Dowlands aufgenommen.
Für 2 Gitarren. By Erzsebet Nagy. Book Only. Composed 2007. 28 pages. Editio Musica Budapest #EMBZ14587. Published by Editio Musica Budapest (BT.EMBZ14587).
Hungarian-English-German-French.
The lute, an instrumental relative of the guitar, has a rich and valuable chamber literature, particularly from the Renaissance period. Apart from the dance music fashionable at the time, transcriptions of vocal pieces for the keyboard were also popular. (Often the composer himself transcribed his own madrigals as songs with lute accompaniment or as solo lute pieces.) In this volume compiled by the well-known guitar and chamber music teacher Erzsébet Nagy, part of the material consists of transcriptions for two guitars of Renaissance madrigals and songs with lute accompaniment, the remaining pieces represent the dance music of the period in simplified form, the selection alsoincludes two original lute duets by John Dowland.
Die der Gitarre verwandte Laute kann eine reiche und wertvolle Kammermusikliteratur, vor allem aus der Renaissance, ihr Eigen nennen. Außer der damals modernen Tanzmusik waren auch Transkriptionen vokaler Stücke für Laute oder Tasteninstrumente populär. (Oft arbeitete der Komponist selbst seine Madrigale zu lautenbegleiteten Liedern oder Sololautenstücken um.) Ein Teil des Stoffes in dem von der bekannten Gitarre- und Kammermusiklehrerin, Erzsébet Nagy, zusammengestellten Band sind Transkriptionen von Madrigalen der Renaissance und lautenbegleiteter Lieder für zwei Gitarren. Die weiteren Stücke sind der damaligen Tanzmusik entnommen, nur in vereinfachter Form präsentiert. In dieAuswahl wurden aber auch zwei originale Lautenduos John Dowlands aufgenommen.
Preview: Renaissancemusik für zwei Gitarren
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