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Arranged by Frank Foster. Score and parts. Published by Walrus Music Publishing (WA.51226).
Dedicated to the memory of Tito Puente. Yo Recuerdo A Mi Hermano Tito is a Latin-flavored composition somewhere between a Cha-Cha and a Mambo. It could be called either a fast Cha-Cha or a slow Mambo. Timbales should be the featured solo instrument, as that was Tito's specialty 'axe'. There is no part for timbales on the score, but that shouldnt be a problem for a seasoned timbales player. After an eight-measure intro reminiscent of that on the Latin standard "Mambo Inn," the ensemble goes through the opening chorus featuring alternately brass and saxes on the highly "latin-esque' melody. This is followed by an 8 bars long interlude-modulation from 'F' major to A-flat major leading to the one-chorus piano solo, which may be played as written or improvised, according to the pianist's wishes. More ensemble follows the piano solo, after whichthere's a 'montuno' section in which the piano starts out playing the melody for about eight measures. Soon the rhythm section gives way to conga drum(s) and timbales (or trap drummer if no timbales are present.) Either timbales or trap drums play an extended solo, building in intensity as it goes. This entire section apprears on the score and parts as an empty four-measures repeated indefinitely. After timbales or drums have done their thing, the ensemble takes it out with a shout chorus followed by the ending which is the same as the introduction. Yo Recuerdo... should make an interesting, fairly exciting addition to your large jazz ensemble library. 5, 5, 4, G, P, B, D.
Arranged by Frank Foster. Score and parts. Published by Walrus Music Publishing (WA.51226).
Dedicated to the memory of Tito Puente. Yo Recuerdo A Mi Hermano Tito is a Latin-flavored composition somewhere between a Cha-Cha and a Mambo. It could be called either a fast Cha-Cha or a slow Mambo. Timbales should be the featured solo instrument, as that was Tito's specialty 'axe'. There is no part for timbales on the score, but that shouldnt be a problem for a seasoned timbales player. After an eight-measure intro reminiscent of that on the Latin standard "Mambo Inn," the ensemble goes through the opening chorus featuring alternately brass and saxes on the highly "latin-esque' melody. This is followed by an 8 bars long interlude-modulation from 'F' major to A-flat major leading to the one-chorus piano solo, which may be played as written or improvised, according to the pianist's wishes. More ensemble follows the piano solo, after whichthere's a 'montuno' section in which the piano starts out playing the melody for about eight measures. Soon the rhythm section gives way to conga drum(s) and timbales (or trap drummer if no timbales are present.) Either timbales or trap drums play an extended solo, building in intensity as it goes. This entire section apprears on the score and parts as an empty four-measures repeated indefinitely. After timbales or drums have done their thing, the ensemble takes it out with a shout chorus followed by the ending which is the same as the introduction. Yo Recuerdo... should make an interesting, fairly exciting addition to your large jazz ensemble library. 5, 5, 4, G, P, B, D.
Preview: Yo Recuerdo a Mi Hermano Tito (I Remember My Brother Tito)
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