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17410794
Were God not with us here today (War Gott nicht mit uns diese Zeit)
17410794
17410794

Were God not with us here today (War Gott nicht mit uns diese Zeit) by Dietrich Buxtehude 4-Part - Sheet Music

By Dietrich Buxtehude
Were God not with us here today (War Gott nicht mit uns diese Zeit) 4-Part scores gallery preview page 1
Were God not with us here today (War Gott nicht mit uns diese Zeit) 4-Part scores gallery preview page 2
Were God not with us here today (War Gott nicht mit uns diese Zeit) 4-Part scores gallery preview page 3
Were God not with us here today (War Gott nicht mit uns diese Zeit) 4-Part scores gallery preview page 4
Were God not with us here today (War Gott nicht mit uns diese Zeit) 4-Part scores gallery preview page 5
Were God not with us here today (War Gott nicht mit uns diese Zeit) by Dietrich Buxtehude 4-Part - Sheet Music
Were God not with us here today (War Gott nicht mit uns diese Zeit) by Dietrich Buxtehude 4-Part - Sheet Music page 2
Were God not with us here today (War Gott nicht mit uns diese Zeit) by Dietrich Buxtehude 4-Part - Sheet Music page 3
Were God not with us here today (War Gott nicht mit uns diese Zeit) by Dietrich Buxtehude 4-Part - Sheet Music page 4
Were God not with us here today (War Gott nicht mit uns diese Zeit) by Dietrich Buxtehude 4-Part - Sheet Music page 5
SATB choir, 2 violins, basso continuo

SKU: CA.3601705

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. War Gott Nicht Mit Uns Diese Zeit 102. Sacred vocal music, Cantatas. Choral Score. BuxWV 102. Duration 4 minutes. Carus Verlag #CV 36.017/05. Published by Carus Verlag (CA.3601705).

ISBN 9790007112585. Language: German. Text: Luther, Martin.

This setting of Luther's hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each other without a break. This cantata has come down to us in a tabulatur from the Duben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. Score available separately - see item CA.3601700.

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