Variations for Cello and Orchestra op. 5 / Variaatioita sellolle ja orkesterille op 5
21997104
21997104
21997104
Variations for Cello and Orchestra op. 5 / Variaatioita sellolle ja orkesterille op 5
Variaatioita sellolle ja orkesterille op 5 by Aulis Sallinen Orchestra - Sheet Music
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Variaatioita sellolle ja orkesterille op 5. Composed by Aulis Sallinen. Score. Fennica Gehrman #9790550116085. Published by Fennica Gehrman (FG.9790550116085).
ISBN 9790550116085.
Aulis Sallinen (b. 1935) is one of the most famous Finnish contemporary composers. In his early instrumental works, Sallinen was still seeking to establish a style of his own. He had studied at the Sibelius Academy in the late 1950s, first with Aarre Merikanto - a composer representing a national brand of Neoclassicism - and then with Joonas Kokkonen, at that time just transitioning from Neoclassicism to dodecaphony. Twelve-tone music had won fairly widespread acceptance in contemporary Finn-ish music, and Sallinen was influenced, too. The Variations are Sallinen's first real work for the cello - an instrument that would later be one of his favourites, its warm, deep voice corres-ponding to his music's often dark undercurrent.
The Variations for Cello and Orchestra, Op. 5 were composed in 1961-1962 and premiered in October 1962. The basic motif consists of a set of three descending intervals stated by the cello at the beginning: D-D flat-F, C-B-G and B flat-A-F sharp. Their use as basic material is a ref-lection of the composer's dodecaphony-oriented period, and variation of this material provides the framework for the piece.
Variations for Cello and Orchestra are now published for the first time. Available are a reduction for cello and piano, study score and complete performance material with orchestra.
Variaatioita sellolle ja orkesterille op 5. Composed by Aulis Sallinen. Score. Fennica Gehrman #9790550116085. Published by Fennica Gehrman (FG.9790550116085).
ISBN 9790550116085.
Aulis Sallinen (b. 1935) is one of the most famous Finnish contemporary composers. In his early instrumental works, Sallinen was still seeking to establish a style of his own. He had studied at the Sibelius Academy in the late 1950s, first with Aarre Merikanto - a composer representing a national brand of Neoclassicism - and then with Joonas Kokkonen, at that time just transitioning from Neoclassicism to dodecaphony. Twelve-tone music had won fairly widespread acceptance in contemporary Finn-ish music, and Sallinen was influenced, too. The Variations are Sallinen's first real work for the cello - an instrument that would later be one of his favourites, its warm, deep voice corres-ponding to his music's often dark undercurrent.
The Variations for Cello and Orchestra, Op. 5 were composed in 1961-1962 and premiered in October 1962. The basic motif consists of a set of three descending intervals stated by the cello at the beginning: D-D flat-F, C-B-G and B flat-A-F sharp. Their use as basic material is a ref-lection of the composer's dodecaphony-oriented period, and variation of this material provides the framework for the piece.
Variations for Cello and Orchestra are now published for the first time. Available are a reduction for cello and piano, study score and complete performance material with orchestra.
Preview: Variations for Cello and Orchestra op. 5 / Variaatioita sellolle ja orkesterille op 5
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