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22163675
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11)
22163675
22163675

Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) Volume 2 (Duets 9, 10 & 11) by Diogenio Bigaglia Soprano Voice - Sheet Music

By Diogenio Bigaglia
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) Soprano Voice scores gallery preview page 1
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) Soprano Voice scores gallery preview page 2
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) Soprano Voice scores gallery preview page 3
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) Soprano Voice scores gallery preview page 4
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) by Diogenio Bigaglia Soprano Voice - Sheet Music
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) by Diogenio Bigaglia Soprano Voice - Sheet Music page 2
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) by Diogenio Bigaglia Soprano Voice - Sheet Music page 3
Twelve chamber duets on texts taken from madrigals by Carlo Gesualdo, Volume 2 (Duets 9, 10 & 11) by Diogenio Bigaglia Soprano Voice - Sheet Music page 4
Two soprano voices & basso continuo

SKU: HH.HH540-FSP

Volume 2 (Duets 9, 10 & 11). Composed by Diogenio Bigaglia. Edited by Michael Talbot. Baroque. Score and parts. Edition HH Music Publishers #HH540-FSP. Published by Edition HH Music Publishers (HH.HH540-FSP).

ISBN 9790708185550.

These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678–1745), the Venetian monk who was also a skilled and imaginative composer. They are set to texts taken from the famously chromatic madrigals of Carlo Gesualdo published over a century earlier. The purpose of this choice was not to commemorate Gesualdo but to assemble a homogeneous group of short poems suitable for Bigaglia’s evident main aim, which was to produce a cycle of vocal duets imitating the structural layout and musical processes of the contemporary trio sonata.

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