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Reconstruction. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version. Sonata; Baroque. Score. 36 pages. Breitkopf and Haertel #KM 2277. Published by Breitkopf and Haertel (BR.KM-2277).
ISBN 9790004502426. 9 x 12 inches.
It is now regarded as a proven fact that J. S. Bach derived two works from a trio sonata which was most likely in the key of B flat major: the well-known organ Trio Sonata No. 1 in E flat major BWV 525 and the slow middle move-ment of the incomplete Flute Sonata in A major BWV 1032. In his reconstruction, Klaus Hofmann comes as close as possible to the presumably lost original version. While the melody instruments - the range suggests an alto recorder and oboe - were adapted practically without change, the bass part underwent considerable alterations. An organ pedal part simply is not a continuo line. However, Hofmann found a stylistically and idiomatically compelling solution to this dilemma.
In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version.
Reconstruction. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version. Sonata; Baroque. Score. 36 pages. Breitkopf and Haertel #KM 2277. Published by Breitkopf and Haertel (BR.KM-2277).
ISBN 9790004502426. 9 x 12 inches.
It is now regarded as a proven fact that J. S. Bach derived two works from a trio sonata which was most likely in the key of B flat major: the well-known organ Trio Sonata No. 1 in E flat major BWV 525 and the slow middle move-ment of the incomplete Flute Sonata in A major BWV 1032. In his reconstruction, Klaus Hofmann comes as close as possible to the presumably lost original version. While the melody instruments - the range suggests an alto recorder and oboe - were adapted practically without change, the bass part underwent considerable alterations. An organ pedal part simply is not a continuo line. However, Hofmann found a stylistically and idiomatically compelling solution to this dilemma.
In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version.
Preview: Trio Sonata in B flat major based on BWV 525 and BWV 1032
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