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Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, Easter and Eastertide, Whitsun. Single Part, basso continuo. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/14. Published by Carus Verlag (CA.3118714).
ISBN 9790007209995. Text language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso ("Vox Christi"). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.
Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, Easter and Eastertide, Whitsun. Single Part, basso continuo. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/14. Published by Carus Verlag (CA.3118714).
ISBN 9790007209995. Text language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso ("Vox Christi"). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.
Preview: They are all waiting on thee (Es wartet alles auf dich)
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