The voice of rejoicing and hope Cantata for St. Michael by Johann Sebastian Bach 4-Part - Sheet Music

By Johann Sebastian Bach

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900

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Details

Summary
Instrument:
Choir Organ Organ Accompaniment Voice
Ensembles:
4-Part SATB
Genres:
Christian Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007208608
Format:
Part
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Arrangers:
Paul Horn
Usages:
Assurance Saints' Days
Main Key:
D major
Size:
9 x 12 inches
Number of Pages:
16
Shipping Weight:
0.16 pounds
Detailed Description
Organ (Soli SATB, Coro SATB, 3 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc)

SKU: CA.3114949

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Individual part. BWV 149. 16 pages. Duration 22 minutes. Carus Verlag #CV 31.149/49. Published by Carus Verlag (CA.3114949).

ISBN 9790007208608. 9 x 12 inches. Key: D major. Language: German/English. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

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