Sinfonia from Christmas Oratorio, BWV 248 by Johann Sebastian Bach Flute Quartet - Sheet Music
By Johann Sebastian BachThis radiant Sinfonia opens Part 2 of Bach’s Christmas Oratorio (1734) — the only cantata in the cycle without an opening chorus. Instead, Bach lets the orchestra speak, capturing the moment heaven and earth briefly become one. It’s the sole instrumental movement in the entire Oratorio, and a rare example of Bach’s use of purely orchestral writing in his sacred works.Scored for strings, continuo, two flutes, and a remarkable quartet of oboes (two oboes d’amore and two oboes da caccia), the music is built on contrasts: strings, long associated with angels, play the gentle rocking rhythm of the siciliano, while the reed instruments — evoking shepherds — sustain bourdon-like tones in a rustic pastorale. The result is a soft yet richly textured soundscape, full of warmth and wonder.In this arrangement, we’ve added two alto flutes to deepen the resonance of the ‘reed’ group. Both alto parts may be played on C flutes if preferred, and all options are included. For added spatial magic, we suggest separating the ‘orchestra’ (three top flutes and bass flute) from the ‘oboe’ quartet (two flutes and two alto flutes) in performance.
Details
Summary
- Instrument:
- Flute
- Ensembles:
- Flute Quartet
- Genres:
- Christmas Baroque Period
- Composers:
- Johann Sebastian Bach
- Publishers:
- Wonderful Winds
- Series:
- Flutets Series
- ISBN:
- 9790570745470
- Format:
- Score Set of Parts Score and Parts
- Item types:
- Physical
- Artist:
- Johann Sebastian Bach
- Arrangers:
- Mel Orriss
- Usages:
- School and Community
- Number of Pages:
- 12
- Shipping Weight:
- 0.6 pounds
Detailed Description
SKU: WN.B017
From Christmas Oratorio, BWV 248. Composed by Johann Sebastian Bach. Arranged by Mel Orriss. Flutets series. Score and parts. 12 pages. Wonderful Winds #B017. Published by Wonderful Winds (WN.B017).ISBN 9790570745470.
This radiant Sinfonia opens Part 2 of Bach’s Christmas Oratorio (1734) — the only cantata in the cycle without an opening chorus. Instead, Bach lets the orchestra speak, capturing the moment heaven and earth briefly become one. It’s the sole instrumental movement in the entire Oratorio, and a rare example of Bach’s use of purely orchestral writing in his sacred works.
Scored for strings, continuo, two flutes, and a remarkable quartet of oboes (two oboes d’amore and two oboes da caccia), the music is built on contrasts: strings, long associated with angels, play the gentle rocking rhythm of the siciliano, while the reed instruments — evoking shepherds — sustain bourdon-like tones in a rustic pastorale. The result is a soft yet richly textured soundscape, full of warmth and wonder.
In this arrangement, we’ve added two alto flutes to deepen the resonance of the ‘reed’ group. Both alto parts may be played on C flutes if preferred, and all options are included. For added spatial magic, we suggest separating the ‘orchestra’ (three top flutes and bass flute) from the ‘oboe’ quartet (two flutes and two alto flutes) in performance.
Similar Sheet Music & Digital Downloads
- More by this Composer:
- Johann Sebastian Bach Johann Sebastian Bach Piano Johann Sebastian Bach Piano Accompaniment Johann Sebastian Bach Piano Solo
- Series:
- Flutets Series
- Artists:
- Johann Sebastian Bach Mel Orriss
- Ensemble:
- Flute Quartet
- Publisher:
- Wonderful Winds