The Art of Fugue BWV 1080 Score by Johann Sebastian Bach Score - Sheet Music

By Johann Sebastian Bach

Much has been speculated on the instrumentation of this contrapuntal masterpiece since Bach's death. For a long time, the fragmentary work was regarded as a piano work but since the early 20th century musicians have experimented with various instrumentations. This arrangement by Hans-Eberhard Dentler, who has carried out scientific research on the Art of Fugue for decades, manages through the choice of instrumentation not to use any kind of transposition. It also ensures the best possible transparency and faithfulness to the score through the soloistic rendering of the individual parts: the combination of bassoon and double bass as well as the assignment of the violoncello to the tenor part are the key to the faithful reproduction of all parts without any intervention of the arranger.

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Details

Summary
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Schott Music
UPC:
841886028494
ISBN:
9790001161657
Format:
Score Collection / Songbook
Item types:
Physical
Level:
Intermediate
Artist:
Johann Sebastian Bach
Usages:
School and Community
Size:
9.0x12.0x0.6 inches
Number of Pages:
214
Shipping Weight:
2.2 pounds
Detailed Description
Score; String Ensemble (Score) - intermediate

SKU: HL.49045625

Score. Composed by Johann Sebastian Bach. Arranged by Hans-Eberhard Dentler. This edition: Saddle stitching. Sheet music. String Ensemble. Classical. Softcover. 214 pages. Schott Music #ED22609. Published by Schott Music (HL.49045625).

ISBN 9790001161657. UPC: 841886028494. 9.0x12.0x0.6 inches.

Much has been speculated on the instrumentation of this contrapuntal masterpiece since Bach's death. For a long time, the fragmentary work was regarded as a piano work but since the early 20th century musicians have experimented with various instrumentations. This arrangement by Hans-Eberhard Dentler, who has carried out scientific research on the Art of Fugue for decades, manages through the choice of instrumentation not to use any kind of transposition. It also ensures the best possible transparency and faithfulness to the score through the soloistic rendering of the individual parts: the combination of bassoon and double bass as well as the assignment of the violoncello to the tenor part are the key to the faithful reproduction of all parts without any intervention of the arranger.

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