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2656749
Tannhäuser and the Minstrel Contest at Wartburg Castle WWV 70
2656749
2656749

Tannhäuser and the Minstrel Contest at Wartburg Castle WWV 70 Romantic Opera in 3 Acts by Richard Wagner SSAA - Sheet Music

By Richard Wagner
Tannhäuser and the Minstrel Contest at Wartburg Castle WWV 70 SSAA scores gallery preview page 1
Tannhäuser and the Minstrel Contest at Wartburg Castle WWV 70 SSAA scores gallery preview page 2
Tannhäuser and the Minstrel Contest at Wartburg Castle WWV 70 by Richard Wagner SSAA - Sheet Music
Tannhäuser and the Minstrel Contest at Wartburg Castle WWV 70 by Richard Wagner SSAA - Sheet Music page 2
Chorus (with soloists) and piano (solos: SSSTTTBarBBB – 4 child (SSAA) – choir: SSAATTBB – 3(picc).2.2.B-clar.2 – 4.3.3.1 – timp.perc(4) – hp – str / stage music: 2picc.4.4.cor ang.6.4 – 12.12.4.0 – perc(3) – hp (hp in stage music: only "Paris" version))

SKU: BR.EB-4503

Romantic Opera in 3 Acts. Composed by Richard Wagner. Arranged by Otto Singer. Choir; Softbound. Edition Breitkopf.

1. Original version based on the autograph and the Dresden premiere of 1845 - 2. Dresden version of 1847 - 3. Paris version of 1860

Opera; Music theatre; Romantic. Piano/Vocal Score. 400 pages. Breitkopf and Haertel #EB 4503. Published by Breitkopf and Haertel (BR.EB-4503).

ISBN 9790004163023. 7.5 x 10.5 inches. German / English.

Text by the composer; english translation by E. NewmanPlace and time: Inside the Venusberg near Eisenach, the valley of the Wartburg, Wartburg Castle, at the beginning of the 13th centuryCharacters: Hermann (bass) - Tannhauser (tenor) - Wolfram von Eschenbach (baritone) - Walther von der Vogelweide (tenor) - Biterolf (bass) - Heinrich der Schreiber (tenor) - Reinmar von Zweter (bass) - Elisabeth (soprano) - Venus (soprano) - a young shephard (soprano) - four young noble men (2 sopranos, 2 altos)Wagner was never entirely satisfied with his "Tannhauser", which is why he kept revising it, the last time for a Vienna production in 1875, when he staged the work for the third time. In the overture, the abrupt transition to the Bacchanal - he had composed this especially for Paris - now occurs directly after the Venusberg motifs. Wagner was no longer able to eliminate the musical inconsistencies between the Dresden version and the newly written scene involving Venus and Tannhauser in the Paris version, which was scored in a style reminiscent of "Tristan". This is why Wagner, according to an entry in Cosima's diary, still felt on the day of his death that he "owed the world a proper 'Tannhauser'".

1. Original version based on the autograph and the Dresden premiere of 1845; 2. Dresden version of 18473. Paris version of 1860.

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