Symphony [No. 40] in G minor K. 550 1st and 2nd Version – Urtext by Wolfgang Amadeus Mozart Orchestra - Sheet Music

Name: Symphony [No. 40] in G minor K. 550
Brand: Breitkopf and Haertel
SKU: 20101023
Price: 10.95 USD
Availability: InStock

By Wolfgang Amadeus Mozart

Symphony [No. 40] in G minor K. 550 Orchestra scores gallery preview page 1

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Details

Genres:

Classical Period

Composers:

Wolfgang Amadeus Mozart

Publishers:

Breitkopf and Haertel

Series:

Breitkopf Orchestral Library

Format:

Part

Item types:

Physical

Musical forms:

Symphony

Artist:

Wolfgang Amadeus Mozart

Usages:

School and Community

Detailed Description

Violin (1.2.2(0).2 – 2.0.0.0 – str)

SKU: BR.OB-5542-16

1st and 2nd Version – Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

3 Work Stages, 2 Versions, 1 Edition

,,… the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

Symphony; Classical. Part. 14 pages. Duration 35'. Breitkopf and Haertel #OB 5542-16. Published by Breitkopf and Haertel (BR.OB-5542-16).

ISBN 9790004341728. 10 x 12.5 inches.

With the new edition of the G-minor Symphony, a vital work group in Mozart's oeuvre is now complete: the three late symphonies K. 543, 550 and 551, now available in Urtext editions. As in his new edition of the Hafner Symphony, Henrik Wiese uncovers in the present Breitkopf Urtext score three different stages in the genesis of the G-minor Symphony. Mozart initially wrote the work without clarinets (1st stage), and then he added the clarinets (2nd stage). Not until a final stage did he change the wind instrumentation in the Andante (3rd stage). Mozart thus returned to the 1st version again after completing the 2nd version (with clarinets). This advances the importance of the 1st version without clarinets as Fassung letzter Hand. A compelling insight which sheds new light on the famous G-minor Symphony. Both versions are of equal value and can now be compared with one another, studied and, above all, performed for the first time ever thanks to the new score and parts.Another extremly practical aspect that should be noted: the orchestral parts offer solutions for all the problematic page turns for the first time ever (please see the sample pages of OB 5542 - Violin II.),,... the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

3 Work Stages, 2 Versions, 1 Edition.