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Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; Softbound. Partitur-Bibliothek (Score Library). In the case of the First Symphony, Clive Brown again reaches an optimal balance between source criticism and performance-practical requirements. Symphony; Classical. Full score. 68 pages. Duration 30'. Breitkopf and Haertel #PB 5231. Published by Breitkopf and Haertel (BR.PB-5231).
ISBN 9790004211342. 10 x 12.5 inches.
Whether for first editions or not the primary sources of Beethoven's works always have to be interpreted with great expertise. The editor's knowledgeability is the decisive point when it comes to the level of quality of a new edition. And both Clive Brown and Peter Hauschild are setting standards."On the whole, it was a good idea for Breitkopf to give itself time with these editions. The difficult feat of doing justice to the needs of performers and to philological scholarship has been carried off at a level that raises the standards to an almost frighteningly high level." (Peter Gulke) In the case of the First Symphony, Clive Brown reaches an optimal balance between source criticism and performance-practical requirements. Interpreters and scholars appreciate the "source criticism for performance practice" that Breitkopf cultivates not only in its Beethoven editions.
In the case of the First Symphony, Clive Brown again reaches an optimal balance between source criticism and performance-practical requirements.
Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; Softbound. Partitur-Bibliothek (Score Library). In the case of the First Symphony, Clive Brown again reaches an optimal balance between source criticism and performance-practical requirements. Symphony; Classical. Full score. 68 pages. Duration 30'. Breitkopf and Haertel #PB 5231. Published by Breitkopf and Haertel (BR.PB-5231).
ISBN 9790004211342. 10 x 12.5 inches.
Whether for first editions or not the primary sources of Beethoven's works always have to be interpreted with great expertise. The editor's knowledgeability is the decisive point when it comes to the level of quality of a new edition. And both Clive Brown and Peter Hauschild are setting standards."On the whole, it was a good idea for Breitkopf to give itself time with these editions. The difficult feat of doing justice to the needs of performers and to philological scholarship has been carried off at a level that raises the standards to an almost frighteningly high level." (Peter Gulke) In the case of the First Symphony, Clive Brown reaches an optimal balance between source criticism and performance-practical requirements. Interpreters and scholars appreciate the "source criticism for performance practice" that Breitkopf cultivates not only in its Beethoven editions.
In the case of the First Symphony, Clive Brown again reaches an optimal balance between source criticism and performance-practical requirements.
Preview: Symphony No. 1 in C major Op. 21
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