Sutraecitations for soprano or tenor voice-for m
for soprano or tenor voice-for mezzo-soprano or bariton voice and four players. Spielpart.
Tenor Voice - Sheet Music

Item Number: 21381768
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Instruments
Tenor Voice
Soprano Voice
Genres
Contemporary
Publishers
Editio Musica Budapest
Item Types
Physical
Usages
School and Community
Vocal and Other Accompaniment

SKU: BT.EMBZ14231

For soprano or tenor voice-for mezzo-soprano or bariton voice and four players. Spielpart.. Composed by Gyula Csapó. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2005. 32 pages. Editio Musica Budapest #EMBZ14231. Published by Editio Musica Budapest (BT.EMBZ14231).

English-Hungarian.

Sutraecitations is vocal music composed for tenor (soprano) or bariton (mezzo-soprano) voice, three clarinets, the amplified sounds of piano, an amplifier, loudspeakers, two tuned glasses, and unidentified source(s) of noise. The piano primarily acts as a resonator. The vocal sounds at times - via microphone and an amplifier - reach a loudspeaker which is placed in close proximity to the strings of the piano. The strings are thus vibrated, while the right-foot pedal is depressed. The lyrics are sentences taken from the English version of the mahayana buddhist Avatamsaka Sutra (translated as The Flower Ornament Scripture by Th. Cleary). The original version was composed in1990-1995, the version for mezzo-soprano or baritone voice was composed in 1996. (BMC CD 013)

Sutracitations wurde für Singstimme, drei Klarinetten, Klavier mit Mikrofonen, Verstärker, Lautsprecherbox, zwei gestimmte Gläser und unidentifizierbare Geräuschquelle(n) komponiert. Das Klavier spielt vor allem die Rolle eines Resonators: die Singstimme kommt dann und wann durch Mikrophon und Verstärker durch den Lautsprecher, der ganz in der Nähe der Klaviersaiten plaziert ist, so werden die Saiten - mit dem Niederdrücken der Klavierpedale gleichzeitig - angespielt. Den Text des Werkes bilden einige hervorgehobene Sätze der englischen Version des buddhistischen Awatamsaka Sutra. Das Originalwerk wurde in 1990.1995 komponiert, die Version für Mezzosopran oder Baritonstimme wurdein 1996 geschrieben.