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Composed by Heinrich Schutz. Edited by Gunter Graulich. This edition: urtext. Cycles: Schutz: Zwolf geistliche Gesange SWV 420-431. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Zwolf geistliche Gesange. Sacred vocal music, Magnificats, Mass sections, Psalms, German, Holy Week, Eucharist, Communion, Prayer, Praise and thanks, Morning, midday, evening, Psalms, Daily hours, Baptism, Our Father. Full score (complete edition / selected edition). 168 pages. Carus Verlag #CV 20.915/00. Published by Carus Verlag (CA.2091500).
ISBN 9790007037338.
This cycle contains Aller Augen warten auf dich, Herre SWV 429, one of the composer's most popular vocal works. The twelve four-part motet-style settings published in 1657 demonstrate all the attributes of his mature style, using simple homophonic settings as effectively as demanding polyphony. They represent something of a counterpart to the 1648 Geistliche Chormusik, but here, Schutz paid greater attention to practical use in church services and to the training of the Dresden choirboys.
Composed by Heinrich Schutz. Edited by Gunter Graulich. This edition: urtext. Cycles: Schutz: Zwolf geistliche Gesange SWV 420-431. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Zwolf geistliche Gesange. Sacred vocal music, Magnificats, Mass sections, Psalms, German, Holy Week, Eucharist, Communion, Prayer, Praise and thanks, Morning, midday, evening, Psalms, Daily hours, Baptism, Our Father. Full score (complete edition / selected edition). 168 pages. Carus Verlag #CV 20.915/00. Published by Carus Verlag (CA.2091500).
ISBN 9790007037338.
This cycle contains Aller Augen warten auf dich, Herre SWV 429, one of the composer's most popular vocal works. The twelve four-part motet-style settings published in 1657 demonstrate all the attributes of his mature style, using simple homophonic settings as effectively as demanding polyphony. They represent something of a counterpart to the 1648 Geistliche Chormusik, but here, Schutz paid greater attention to practical use in church services and to the training of the Dresden choirboys.
All Ehr und Lob soll Gottes sein, SWV 421 (op. 13 no. 2) (Glory to God upon his throne) - Mixolydisch/Mixolydian
Christe fac, ut sapiam, SWV 431 (op. 13 no. 12) - a-Moll/A minor
Danksagen wir alle Gott, SWV 425 (op. 13 no. 6) (All thanks be to God) - Dorisch/Dorian
Aller Augen warten auf dich, SWV 429 no. 1 (op. 13 no. 10/1) - Dorisch/Dorian
Danket dem Herrn, SWV 430 (op. 13 no. 11) (The Lord be praised) - Dorisch/Dorian
Kyrie eleison, SWV 428 (op. 13 no. 9) (The litany "Kyrie eleison") - F-Dur/F major
Ich danke dem Herrn von ganzem Herzen, SWV 424 (op. 13 no. 5) (All thanks to the Lord my heart will offer) - Dorisch/Dorian
Ich glaube an einen einigen Gott, SWV 422 (op. 13 no. 3) (I belive in one god) - Mixolydisch/Mixolydian
Kyrie, Gott Vater in Ewigkeit, SWV 420 (op. 13 no. 1) (Kyrie, God Father throughout all time) - a-Moll/A minor
Meine Seele erhebt den Herrn, SWV 426 (op. 13 no. 7) (Magnify him) - a-Moll/A minor
O susser Jesu Christ, wer an dich, SWV 427 (op. 13 no. 8) (Oh Jesus Christ my Lord) - Dorisch/Dorian
O susser Jesu Christ, wer an dich (Aria), deest (O sweetest Jesu Christ, who thinks rightly upon thee) - d-Moll/D minor
Unser Herr Jesus Christus, SWV 423 (op. 13 no. 4) (When our Lord was betrayed) - Dorisch/Dorian
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