Order two or more copies of the same title and we'll automatically give you 5% off list price on that title.
To get 2+ Pricing , just add two or more copies of a title to your shopping cart. Your discount will be immediately applied to your order.
Sale titles, hymnals, and ShowKits (MTI's Broadway Junior Collection, Getting to Know... Collection (G2K) and MTI's Kids Collection) do not qualify for 2+ Pricing
If you have any questions or comments regarding 2+ Pricing , please feel free to email us at info@sheetmusicplus.com
By Michael Hooper. Book Only. 4 pages. University of York Music Press #MUSM570361922. Published by University of York Music Press (BT.MUSM570361922).
English.
The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create recital programmes from a deep reservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated, often featuring elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved butwell-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing. There are several songs for voice and piano but some require other instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty, as our criteria were more broadly performative and musical rather than didactic. All selected composers have a particular sympathy for the singing voice, so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type, but this shouldn't be thought of as prescriptive; they are designed to be flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging, the intense and mysterious to the sad and the light-hearted. We hope that many performers will find their tastes represented here. Compiled by David Blake and John Potter. Edited by Michael Hooper.
By Michael Hooper. Book Only. 4 pages. University of York Music Press #MUSM570361922. Published by University of York Music Press (BT.MUSM570361922).
English.
The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create recital programmes from a deep reservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated, often featuring elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved butwell-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing. There are several songs for voice and piano but some require other instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty, as our criteria were more broadly performative and musical rather than didactic. All selected composers have a particular sympathy for the singing voice, so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type, but this shouldn't be thought of as prescriptive; they are designed to be flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging, the intense and mysterious to the sad and the light-hearted. We hope that many performers will find their tastes represented here. Compiled by David Blake and John Potter. Edited by Michael Hooper.
The beach in winter: Scratby (for Tess) [Saxton, Robert]
Ethne's Lullaby [Harrison, Sadie]
Locked Door [Simaku, Thomas]
I am not here [Osborne, Nigel]
Lotus Dam [Kondo, Jo]
Silence (A Monodrama) [Roman, Laurence]
Nightpiece [Roberts, Jeremy Dale]
Morning Sea [Blake, David]
Lament of Isis on the Death of Osiris [Lutyens, Elisabeth]
I ???? the body electric [Venables, Philip]
Yet, yet a moment, one dim Ray of Light [Hughes, Ed]
Tinos [Gilbert, Anthony]
Nana de la luna [Paredes, Hilda]
Under the Light [Nicholson, George]
Du Bist Mein [Blake, David]
Preview: Songs for the Twenty-First Century
Ratings + Reviews
Review Guidelines
Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music?
Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.
Be respectful of artists, readers, and your fellow reviewers. Please do not use inappropriate language, including profanity, vulgarity, or obscenity.
Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.
We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us.
All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us.
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
Learn about Smart Music
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
Learn about Digital Video
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.
This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details.