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Composed by Mr Dard. Bassoon. Trinity Grade 8 and ATCL. Baroque. Clifton Edition #C355. Published by Clifton Edition (ST.C355).
ISBN 9790570813551.
Antoine Dard ("Mr Dard") was a French composer, born in 1715 in Burgundy. Hardly anything is known about his musical education, although it is possible he entered the choir school of Mâcon cathedral, to which Chapaize belonged at the time.
Dard published two collections of sonatas for bassoon and transverse flute respectively. The six sonatas for bassoon were published in 1759 as his opus 2, although they were written before his opus 1, the sonatas for transverse flute. They were dedicated to M. Duvaucel, Grand Master of Water and Forests for Île de France. Among the technical difficulties are the range of these sonatas. They went into the highest register of the bassoon (at the time), well beyond the Bb of Mozart’s bassoon concerto. The high register would not become standard for sixty years after Dard, and only after innumerable improvements in instrument design.
But these sonatas are more than just a sampling of technical fireworks. There is a lot of expression in these sonatas too, and some have an irresistible rhythm. Piano score plus bassoon and basso continuo parts included.
Adagio, Allegro, Allegro, Arietta.
Grade 8+ Former Spartan Press Cat. No.: EMA128 & NM240.
Composed by Mr Dard. Bassoon. Trinity Grade 8 and ATCL. Baroque. Clifton Edition #C355. Published by Clifton Edition (ST.C355).
ISBN 9790570813551.
Antoine Dard ("Mr Dard") was a French composer, born in 1715 in Burgundy. Hardly anything is known about his musical education, although it is possible he entered the choir school of Mâcon cathedral, to which Chapaize belonged at the time.
Dard published two collections of sonatas for bassoon and transverse flute respectively. The six sonatas for bassoon were published in 1759 as his opus 2, although they were written before his opus 1, the sonatas for transverse flute. They were dedicated to M. Duvaucel, Grand Master of Water and Forests for Île de France. Among the technical difficulties are the range of these sonatas. They went into the highest register of the bassoon (at the time), well beyond the Bb of Mozart’s bassoon concerto. The high register would not become standard for sixty years after Dard, and only after innumerable improvements in instrument design.
But these sonatas are more than just a sampling of technical fireworks. There is a lot of expression in these sonatas too, and some have an irresistible rhythm. Piano score plus bassoon and basso continuo parts included.
Adagio, Allegro, Allegro, Arietta.
Grade 8+ Former Spartan Press Cat. No.: EMA128 & NM240.
Preview: Sonata in D minor Op. 2 No. 5
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