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Basso Continuo; Cello (Score & Parts) - easy to intermediate
SKU: HL.49044745
For Cello and Basso Continuo. Composed by Stephen Paxton. Edited by Rainer Mohrs. This edition: Saddle stitching. Sheet music. String Solo. Classical, Contemporary. Softcover. Op. 3/3. 20 pages. Schott Music #CB280. Published by Schott Music (HL.49044745).
ISBN 9790001202992. UPC: 841886024939. 9.25x12.0x0.077 inches.
Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early Classical works his Sonatas op. 3, written for amateur cellists and students, fill a significant gap in tuition repertoire. This three-movement Sonata op. 3/3 is very well suited to the cello and distinguished by its elegant and appealing melodies. The sonata can be played using the first four finger positions. As a cellist Paxton was very familiar with the technical capabilities of his instrument and knew how to make it sing with simple and effective figures. The first movement consists of two sections and has an expressive middle section in C minor. The slow movement uses an Irish folk song ('Gramachree'), with two dance movements (Minuet 1 and 2) at the end.This new edition reproduces all the details of the first printed version, with just a few dynamic markings added in square brackets. The bass part has been written out in the style of an early Classical keyboard accompaniment so as to underline the galant rococo style of the piece.
Basso Continuo; Cello (Score & Parts) - easy to intermediate
SKU: HL.49044745
For Cello and Basso Continuo. Composed by Stephen Paxton. Edited by Rainer Mohrs. This edition: Saddle stitching. Sheet music. String Solo. Classical, Contemporary. Softcover. Op. 3/3. 20 pages. Schott Music #CB280. Published by Schott Music (HL.49044745).
ISBN 9790001202992. UPC: 841886024939. 9.25x12.0x0.077 inches.
Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early Classical works his Sonatas op. 3, written for amateur cellists and students, fill a significant gap in tuition repertoire. This three-movement Sonata op. 3/3 is very well suited to the cello and distinguished by its elegant and appealing melodies. The sonata can be played using the first four finger positions. As a cellist Paxton was very familiar with the technical capabilities of his instrument and knew how to make it sing with simple and effective figures. The first movement consists of two sections and has an expressive middle section in C minor. The slow movement uses an Irish folk song ('Gramachree'), with two dance movements (Minuet 1 and 2) at the end.This new edition reproduces all the details of the first printed version, with just a few dynamic markings added in square brackets. The bass part has been written out in the style of an early Classical keyboard accompaniment so as to underline the galant rococo style of the piece.
Preview: Sonata in C Major, Op. 3/3
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