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Hawkes Pocket Scores 1538. Composed by Gerald Finzi. Boosey & Hawkes Scores/Books. Classical. Softcover. 120 pages. Boosey & Hawkes #M060130410. Published by Boosey & Hawkes (HL.48024085).
ISBN 9781784541224. UPC: 888680712150. 8.25x11.75x0.398 inches. Hawkes Pocket Scores 1538.
First publication of Finzi's orchestral versions of: Lo, the full, final sacrifice op 26 - festival anthem for chorus & orchestra (14 minutes); Magnificat op 36 - for soloists (ad lib), chorus & orchestra (9 minutes); God is gone up op 27 - anthem for chorus, string orchestra & organ (4 minutes); Let us now praise famous men op 35 - choral song for tenors & basses (or sopranos & altos), string orchestra & piano (3 minutes). The first three works as listed are, in their original organ versions, established in the English cathedral repertoire. Lo, the full, final sacrifice was orchestrated for the 1947 Gloucester Three Choirs Festival, thus bringing the work into the mainstream British choral society repertoire. The preface by Andrew Burn (Finzi Trust) gives details of the commission, composition and orchestration of each work.
Hawkes Pocket Scores 1538. Composed by Gerald Finzi. Boosey & Hawkes Scores/Books. Classical. Softcover. 120 pages. Boosey & Hawkes #M060130410. Published by Boosey & Hawkes (HL.48024085).
ISBN 9781784541224. UPC: 888680712150. 8.25x11.75x0.398 inches. Hawkes Pocket Scores 1538.
First publication of Finzi's orchestral versions of: Lo, the full, final sacrifice op 26 - festival anthem for chorus & orchestra (14 minutes); Magnificat op 36 - for soloists (ad lib), chorus & orchestra (9 minutes); God is gone up op 27 - anthem for chorus, string orchestra & organ (4 minutes); Let us now praise famous men op 35 - choral song for tenors & basses (or sopranos & altos), string orchestra & piano (3 minutes). The first three works as listed are, in their original organ versions, established in the English cathedral repertoire. Lo, the full, final sacrifice was orchestrated for the 1947 Gloucester Three Choirs Festival, thus bringing the work into the mainstream British choral society repertoire. The preface by Andrew Burn (Finzi Trust) gives details of the commission, composition and orchestration of each work.
Preview: Shorter Works for Orchestra and Chorus
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