• Serenade or concert, divided into three suites Oboe - Sheet Music
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Serenade or concert, divided into three suites Oboe - Sheet Music

This facsimile of an original by Michel Pignolet de Monteclair is part of our French classical music collection. Edition : Paris, C. Ballard, 1697. Preface by the Early music department of the CNSMDP, class of Irene Ginger and Jean Saint-Arroman: dance and music - composition and instrumentation - notation - time signatures - terminology - continuo. Three separate instrumental parts: premier dessus, second dessus, continuo bass. The precise instrumentation is usually mentioned. According to Monteclair these pieces are suitable for dancing. They are written either for a melody instrument and bass or a trio. The simple, clear writing makes them ideal dance music. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

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Details

Summary
Format:
Score
Item types:
Physical
Musical forms:
Suite
Usages:
School and Community
Size:
23.50 x 31.50 cm inches
Shipping Weight:
1.59 pounds
Detailed Description
Instrumental ensemble (Violin, Oboe, Flute, Musette, Bassoon, Viola da gamba, Bass violin, Fifes)

SKU: FZ.5857

Composed by Michel Pignolet de Monteclair. Edited by Department De Musique Ancienne Du C.N.S.M De Paris. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Anne Fuzeau Productions - France #5857. Published by Anne Fuzeau Productions - France (FZ.5857).

ISBN 9790230658577. 23.50 x 31.50 cm inches.

This facsimile of an original by Michel Pignolet de Monteclair is part of our French classical music collection. Edition : Paris, C. Ballard, 1697. Preface by the Early music department of the CNSMDP, class of Irene Ginger and Jean Saint-Arroman: dance and music - composition and instrumentation - notation - time signatures - terminology - continuo. Three separate instrumental parts: premier dessus, second dessus, continuo bass. The precise instrumentation is usually mentioned. According to Monteclair these pieces are suitable for dancing. They are written either for a melody instrument and bass or a trio. The simple, clear writing makes them ideal dance music.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

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