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Composed by Louis Antoine Travenol. Edited by Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Anne Fuzeau Productions - France #50511. Published by Anne Fuzeau Productions - France (FZ.50511).
ISBN 9790049505116. 24.00 x 33.00 cm inches.
This facsimile of an original by Louis Antoine Travenol is part of our French classical music collection. Premier livre de sonates a violon seul avec la basse continue. Edition : Paris, l'Auteur, Boivin, Monnet, 1739. Presentation: Summary biography - hints for reading the score (continuo bass, terminology, phrasing, ornamentation, details of notation). A useful book for musicians: the pieces of limited difficulty will be interesting for violin teachers - first movements with written-out ornamentation - in a style generally close to Italian - phrasing indicated with precision. The figuring of the continuo bass is also very precise. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
Composed by Louis Antoine Travenol. Edited by Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Anne Fuzeau Productions - France #50511. Published by Anne Fuzeau Productions - France (FZ.50511).
ISBN 9790049505116. 24.00 x 33.00 cm inches.
This facsimile of an original by Louis Antoine Travenol is part of our French classical music collection. Premier livre de sonates a violon seul avec la basse continue. Edition : Paris, l'Auteur, Boivin, Monnet, 1739. Presentation: Summary biography - hints for reading the score (continuo bass, terminology, phrasing, ornamentation, details of notation). A useful book for musicians: the pieces of limited difficulty will be interesting for violin teachers - first movements with written-out ornamentation - in a style generally close to Italian - phrasing indicated with precision. The figuring of the continuo bass is also very precise. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
Preview: First book of sonatas for violin with continuo bass
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