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Osterdialog. Concluding chorus. Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. Stuttgart Urtext Edition: Schutz. Basso continuo. Sacred vocal music. Single Part, basso continuo. Composed 1625. 4 pages. Carus Verlag #CV 20.443/11. Published by Carus Verlag (CA.2044311).
Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score and part available separately - see item CA.2044300.
Osterdialog. Concluding chorus. Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. Stuttgart Urtext Edition: Schutz. Basso continuo. Sacred vocal music. Single Part, basso continuo. Composed 1625. 4 pages. Carus Verlag #CV 20.443/11. Published by Carus Verlag (CA.2044311).
Key: D dorian. Language: German.
Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score and part available separately - see item CA.2044300.
Preview: Schutz, Heinrich: Weib, was weinest du
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