Piano, Piano Solo - Level 5 - Digital Download
SKU: A0.1646192
By Maria Teresa Madeira. Composed by Ernesto Nazareth. Arranged by Luiz C. Teixeira. This edition: pdf, streaming. 20th Century, 21st Century, Chamber, Classical, Early Music. Score. 2 pages. Luiz C Teixeira #1213168. Published by Luiz C Teixeira (A0.1646192).
"Saudação" by Ernesto Nazareth
Title Meaning
"Saudação" translates to "Greeting" or "Salutation" in English.
The title suggests a joyful, ceremonial, or welcoming tone, possibly intended as an homage or celebration.
In the context of Nazareth’s style, it likely blends formal elegance with Brazilian popular charm.
Musical Characteristics
Style & Genre
Ernesto Nazareth (1863–1934) was famous for blending classical European techniques with Afro-Brazilian rhythms, particularly in genres like the Brazilian tango, maxixe, and choro.
"Saudação" likely falls within the category of tango brasileiro — a genre Nazareth helped define (distinct from the Argentine tango), marked by syncopated rhythms, danceable structures, and urban sophistication.
Melody and Harmony
The melody in "Saudação" is expected to be elegant, lyrical, and rhythmically lively, with ornamental turns and a conversational flow between phrases.
Harmony is typically tonal but colorful, featuring unexpected modulations, chromaticism, and lush chord voicings that enrich the dance rhythms without overwhelming them.
Rhythm and Pulse
Rhythmic vitality is central. Nazareth often used:
Syncopation
Contradança-style rhythms
A steady left-hand accompaniment (often resembling the habanera rhythm or a rhythmic bass pattern) supporting a more free-flowing right-hand melody.
In "Saudação," the rhythm may evoke urban sophistication — perhaps the atmosphere of a ballroom, theater, or festive greeting.
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