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Pyramind Training -- Audio Fundamentals
19466290
19466290

Pyramind Training -- Audio Fundamentals Signal Flow -- Fundamental Tools of Sound Production Textbook - Sheet Music

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Pyramind Training -- Audio Fundamentals Textbook - Sheet Music
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SKU: AP.34386

Signal Flow -- Fundamental Tools of Sound Production. Composed by George Peterson, Matt Donner, and Steve Heithecker. Books and DVDs; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Pyramind Training Series. Book and DVD. 248 pages. Alfred Music #00-34386. Published by Alfred Music (AP.34386).

ISBN 9780739066478. UPC: 038081381619. English.

The first volume in the Signal Flow group of books from the Pyramind Training series covers the life cycle of sound in today's production studios; choosing the right computer, DAW, and microphones for your needs; getting the right sound from your room on a budget; and the history and practical application of synthesis.

I can't wait to read the rest of the series. As long as the quality of information keeps in the same realm of the Audio Fundamentals, it's a certainty that this training series will be quite a great investment for whoever wants to succeed in this business.
- Mateus Tebaldi, Music Gear Review.

  • Acknowledgements
  • Preface
  • FREE VERSUS CAPTURED SOUND
  • WHAT IS SOUND?
  • Understanding Sound
  • Frequency: Timbre
  • Amplitude: Loudness and Volume
  • Time: Morphology and Rhythm
  • TIMBRE--SOUND WAVES
  • The Single Sine Wave, in Detail
  • Two Sine Waves
  • Combining Sine Waves to Create Noise
  • DYNAMICS: THE DECIBEL
  • Defining the dB
  • Fletcher-Munson Curves
  • The Different Types of dB
  • Operating Levels
  • Power Rules
  • The Doubling Rule(s)
  • The Haas Effect (aka Precedence Effect)
  • Understanding Audio Headroom
  • MORPHOLOGY AND TIME
  • Sound Over Time: The Envelope
  • The Basics of Time Shift
  • CAPTURED SOUND
  • THE LIFE CYCLE OF SOUND IN THE STUDIO
  • Basic Electronics
  • Microphones
  • Microphone Basics
  • Microphone Types
  • Dynamic Microphones
  • Condenser Microphones
  • Ribbon Microphones
  • Pressure Zone Microphones
  • Polar Patterns
  • Working with Microphones
  • Experiment 1: Close Miking
  • Experiment 2: The Mid- and Far-Field Mics: A Modest, Then Significant, Distance
  • Experiment 3: Trying More Than One Mic at Once
  • The Color Blend Rule: Red and Yellow Make Orange!
  • Set Your Phasers to Stun (A Little Phase Never Hurt Anyone)
  • The Dual-Mono Rule: Two Mics Don't Make It Stereo!
  • Stereo Microphone Techniques
  • X-Y Technique
  • The A-B, or Spaced-Pair Technique
  • The Blumlein Technique
  • The Mid-Side (M-S) Mic Technique
  • COMPUTER-BASED AUDIO
  • The Computer
  • Choosing a DAW
  • The Mac Versus PC Question
  • The OS Conundrum
  • The All-in-One Computer
  • Laptops
  • Desktop (aka, Tower) Computers
  • Upgrade Options
  • Ram
  • Hard Drives and Storage
  • Computer Displays
  • Digital Audio Basics
  • Sampling Rate
  • Bit Depth
  • MIDI AND SYNTHESIS
  • A Brief History of MIDI
  • Fundamentals of Synthesis
  • Oscillators
  • Filters
  • Amplifiers and Envelopes
  • Types of Envelopes
  • The LFO
  • DSP
  • What to Do If You Captured It "Wrong"
  • Equalization
  • Shelf-Type Equalization
  • Parametric Equalizers
  • Dynamics Processing
  • Compression
  • Limiting
  • Multiband Compression
  • Expanders
  • Noise Gates
  • Time-Based Effects: Depth
  • Delay
  • Reverberation (Reverb)
  • Specialty Effects
  • Pitch Correction
  • Emulation Plug-Ins
  • STUDIO MONITORS
  • Monitors: The End of the Life Cycle
  • Selecting Monitors
  • Monitor Types
  • The Crossover
  • The Translatability Issue
  • Guidelines for Achieving Translatability
  • Factors Affecting the Studio Listening Environment
  • Monitor Placement
  • Acoustical Considerations
  • The Final Word
  • About the Authors
  • Index
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