20423048
Preludes – Volume 3
20423048
20423048
20423048
Copyright Material for Preview Only - Sheet Music Plus
Piano - intermediate to difficult
SKU: HL.49045427
For Piano. Composed by Renato de Grandis. This edition: Saddle stitching. Sheet music. Piano. The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cy. Classical. Softcover. Composed 2001. 48 pages. Duration 32'. Schott Music #ED22100. Published by Schott Music (HL.49045427).
ISBN 9790001201674. UPC: 841886030848. 9.25x12.0x0.184 inches.
The 48 Preludi of the Venetian composer Renato de Grandis (1927-2008) were created, in large part, in the years 1998-2002. It was only subsequently that he arranged them in 4 cycles of 12 preludes each, while also drawing back on older compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.
Piano - intermediate to difficult
SKU: HL.49045427
For Piano. Composed by Renato de Grandis. This edition: Saddle stitching. Sheet music. Piano. The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cy. Classical. Softcover. Composed 2001. 48 pages. Duration 32'. Schott Music #ED22100. Published by Schott Music (HL.49045427).
ISBN 9790001201674. UPC: 841886030848. 9.25x12.0x0.184 inches.
The 48 Preludi of the Venetian composer Renato de Grandis (1927-2008) were created, in large part, in the years 1998-2002. It was only subsequently that he arranged them in 4 cycles of 12 preludes each, while also drawing back on older compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.
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