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Composed by Marc Douyon. Edited by Howard J. Buss. PRELUDE AND TOCCATA FOR PIANOis based on the Haitian folk tune Linglinsou. The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part. 21st Century. Score. Duration 7'. Brixton Publications #B153. Published by Brixton Publications (B7.B153).
8.5x11 inches.
PRELUDE AND TOCCATA FOR PIANO by Marc Douyon is based on the Haitian folk tune "Linglinsou." The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part of the colorful musical tapestry as well. The composition opens with a lyrical melody that suggests an atmosphere of complaint, anguish, and despair. But soon, the lyrical main theme, which makes use of hemiola figures, takes the shape of a gracious tribal dance in compound meter. Shortly thereafter, however, the character of the piece changes into an agitated toccata characterized by driving staccato notes, accents, and a close hand position at the piano. The final moments of the piece are heroic-like in nature, but also convey a sense of calm after the storm.
Composed by Marc Douyon. Edited by Howard J. Buss. PRELUDE AND TOCCATA FOR PIANOis based on the Haitian folk tune Linglinsou. The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part. 21st Century. Score. Duration 7'. Brixton Publications #B153. Published by Brixton Publications (B7.B153).
8.5x11 inches.
PRELUDE AND TOCCATA FOR PIANO by Marc Douyon is based on the Haitian folk tune "Linglinsou." The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part of the colorful musical tapestry as well. The composition opens with a lyrical melody that suggests an atmosphere of complaint, anguish, and despair. But soon, the lyrical main theme, which makes use of hemiola figures, takes the shape of a gracious tribal dance in compound meter. Shortly thereafter, however, the character of the piece changes into an agitated toccata characterized by driving staccato notes, accents, and a close hand position at the piano. The final moments of the piece are heroic-like in nature, but also convey a sense of calm after the storm.
Preview: Prelude and Toccata for piano
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