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20341608
Petit concert en sextuor for oboe, harpsichord and string quartet
20341608
20341608

Petit concert en sextuor for oboe, harpsichord and string quartet by Brian Joyce Small Ensemble - Digital Sheet Music

By Brian Joyce
Petit concert en sextuor for oboe, harpsichord and string quartet Small Ensemble scores gallery preview page 1
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Petit concert en sextuor for oboe, harpsichord and string quartet by Brian Joyce Small Ensemble - Digital Sheet Music
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Petit concert en sextuor for oboe, harpsichord and string quartet by Brian Joyce Small Ensemble - Digital Sheet Music page 5
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Small Ensemble,Strings Harpsichord,Oboe - Level 4 - Digital Download

SKU: A0.836700

Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian Joyce #2881183. Published by Brian Joyce (A0.836700).

An 18-minute concerto in three movements for oboe, harpsichord and string quartet.

From the program notes . . . .

"I can imagine readers glancing over a recital program and seeing that it includes a work for oboe, harpsichord and string quartet. They steel themselves against the onset of what promises to be a dull and dreary piece played by unsmiling people in black suits. My imaginary audience may be pleased to find that this Petit Concert is nothing of the sort. It is actually a rather relaxed piece, combining something of the 18th century Rococo (which was never very serious to begin with) and Steely Dan-influenced Hindemith. But just as a chef will hide the most unlikely ingredients in his sauces and confections, I hope I have concealed these disparate influences in a piece which speaks with its own voice. Here, then, is a short concerto with little if any overt virtuosity; it is offered simple for the enjoyment of players and audience alike. In this it perhaps comes round full circle to composers like François Couperin who preferred to please their listeners rather than stun them."

Relaxed the piece may be. To be sure, ranges and techniques are far from extreme and there are plenty of triadic sonorities and almost normal functional harmony here. But there are also moments of jazz-inflected chromaticism and frequent meter changes to contend with. It will take players who can hold their own in a mildly dissonant sound world to pull this off. Careful attention to dynamics, tight ensemble and flawless intonation are a must, but diligent players will be rewarded with an immediate audience-pleaser.

A separate harpsichord part is included for players who prefer not to read from the score. Equal temperament and a=440 are assumed for the harpsichord. A two manual instrument is preferred but not absolutely necessary.

This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

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