• Oboe Sonata, Op. 166 by Camille Saint-Saens Piano Accompaniment - Sheet Music
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Oboe Sonata, Op. 166 by Camille Saint-Saens Piano Accompaniment - Sheet Music

By Camille Saint-Saens

The Oboe Sonata op. 166 was the first of three wind sonatas that Saint-Saëns wrote in his final year. Throughout his life he had been more familiar with keyboard and stringed instruments, so the composer this time found himself in rather unfamiliar territory. Yet he instantly hit upon the inflections and special characteristics of these instruments. To ensure that the parts reflected the technical and tonal idiosyncrasies of each instrument, he asked advice of wind soloists of his acquaintance before publication. His Sonata op. 166 met with the highest approval of the oboist; a passage in a letter bears witness to this: “It went like clockwork.” Henle was able to consult the autograph for the first time for this Urtext edition.

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Summary
Instrument:
Piano Accompaniment Oboe Solo
Genres:
Romantic Period
Composers:
Camille Saint-Saens
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
884088575557
ISBN:
9790201809649
EAN:
9790201809649
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
Sonata
Artist:
Camille Saint-Saens
Usages:
School and Community
Number of Pages:
30
Size:
9.25x12.0x0.115 inches
Shipping Weight:
0.39 pounds
Detailed Description
Wind Instruments Oboe; Piano Accompaniment (Oboe and Piano)

SKU: HL.51480964

Composed by Camille Saint-Saens. Edited by Peter Jost. Arranged by Klaus Schilde. Sheet Music. Paperbound. Henle Music Folios. ABRSM syllabus Grade: 8 -- ABRSM 2018 remarks: recommended -- TCL 2016 Grade: 8. Classical. Softcover. 30 pages. G. Henle #HN964. Published by G. Henle (HL.51480964).

ISBN 9790201809649. UPC: 884088575557. 9.25x12.0x0.115 inches.

The Oboe Sonata op. 166 was the first of three wind sonatas that Saint-Saëns wrote in his final year. Throughout his life he had been more familiar with keyboard and stringed instruments, so the composer this time found himself in rather unfamiliar territory. Yet he instantly hit upon the inflections and special characteristics of these instruments. To ensure that the parts reflected the technical and tonal idiosyncrasies of each instrument, he asked advice of wind soloists of his acquaintance before publication. His Sonata op. 166 met with the highest approval of the oboist; a passage in a letter bears witness to this: “It went like clockwork.” Henle was able to consult the autograph for the first time for this Urtext edition.

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