World's Largest Sheet Music Selection

19925588
O Morning Star, How Fair and Bright
19925588
19925588

O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music

By Johann Kuhnau
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 1
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 2
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 3
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 4
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 5
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 6
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 7
O Morning Star, How Fair and Bright 4-Part scores gallery preview page 8
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music page 2
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music page 3
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music page 4
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music page 5
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music page 6
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music page 7
O Morning Star, How Fair and Bright by Philipp Nicolai 4-Part - Sheet Music page 8
SATB choir, keyboard accompaniment, flute, violin - Early intermediate

SKU: GI.G-8036

Composed by Philipp Nicolai. Edited by Patrick M. Liebergen. Arranged by Johann Kuhnau. Christmastide, Epiphany. Choral. Tune Name: Wie Schön Leuchtet. Sacred. Octavo. 8 pages. GIA Publications #8036. Published by GIA Publications (GI.G-8036).

UPC: 785147803607. English. Text Source: 'Wie schön leuchtet der Morgenstern' Translation: Catherine Winkworth. Text by Phillip Nicolai.

Although a part for flute (or violin) is provided to emphasize the hymn tune, there are other creative instrumental opportunities to explore. Use a cello or bassoon for the bass accompaniment line. The organist is encouraged to experiment with different registrations and colors. The tenors will want to be well warmed-up, and the occasional tenuous bass section will appreciate the support from the keyboard. The Flute and Violin parts are optional. .

Close X

By signing up you consent with the terms in our Privacy Policy

I am a music teacher.