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Violoncello and Piano. Composed by George Goltermann. Edited by Fritz Zumkley. Arranged by Fritz Zumkley. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Op. 115/3. 8 pages. Schott Music #CB248. Published by Schott Music (HL.49019268).
ISBN 9790001180696. UPC: 841886018150. 9.0x12.0x0.062 inches. Edited with fingerings and bowings by Fritz Zumkley.
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limitsof what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
Violoncello and Piano. Composed by George Goltermann. Edited by Fritz Zumkley. Arranged by Fritz Zumkley. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Op. 115/3. 8 pages. Schott Music #CB248. Published by Schott Music (HL.49019268).
ISBN 9790001180696. UPC: 841886018150. 9.0x12.0x0.062 inches. Edited with fingerings and bowings by Fritz Zumkley.
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limitsof what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
Preview: Nocturne in A minor, Op. 115/3
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