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Trumpet with Piano Reduction. Composed by Bernd Alois Zimmermann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1954. 40 pages. Duration 15'. Schott Music #ED7163. Published by Schott Music (HL.49007013).
ISBN 9790001075084. UPC: 073999673883. 9.25x12.0x0.111 inches.
Jazz war fur Bernd Alois Zimmermann eine 'musikalische Wesensverfassung', ein 'Kunstzweig sui generis.' Das Trompetenkonzert mit seinen Big Band-Allusionen der 50er Jahre vereint die Kategorien der Jazzmusik und Kunstmusik. Es bewegt sich im Grenzbereich zwischen exakter Notation und dodekaphoner Tonhohenorganisation einerseits und einem improvisatorisch-freien Duktus andererseits - eine Dialektik, die Zimmermann zeitlebens im Zusammenhang mit der Integration des Jazz in die Orchestermusik (oder umgekehrt?) beschaftigte. Dem Spiritual Nobody knows kommt dabei die Rolle eines klassischen Cantus firmus zu: vorgestellt zunachst im Soloinstrument - uber dem Walking Bass der Kontrabasse und dem Terzpendel der hier erstmalig einsetzenden Hammond-Orgel - durchzieht es im vorliegenden Horbeispiel die einzelnen Instrumentengruppen.
Trumpet with Piano Reduction. Composed by Bernd Alois Zimmermann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1954. 40 pages. Duration 15'. Schott Music #ED7163. Published by Schott Music (HL.49007013).
ISBN 9790001075084. UPC: 073999673883. 9.25x12.0x0.111 inches.
Jazz war fur Bernd Alois Zimmermann eine 'musikalische Wesensverfassung', ein 'Kunstzweig sui generis.' Das Trompetenkonzert mit seinen Big Band-Allusionen der 50er Jahre vereint die Kategorien der Jazzmusik und Kunstmusik. Es bewegt sich im Grenzbereich zwischen exakter Notation und dodekaphoner Tonhohenorganisation einerseits und einem improvisatorisch-freien Duktus andererseits - eine Dialektik, die Zimmermann zeitlebens im Zusammenhang mit der Integration des Jazz in die Orchestermusik (oder umgekehrt?) beschaftigte. Dem Spiritual Nobody knows kommt dabei die Rolle eines klassischen Cantus firmus zu: vorgestellt zunachst im Soloinstrument - uber dem Walking Bass der Kontrabasse und dem Terzpendel der hier erstmalig einsetzenden Hammond-Orgel - durchzieht es im vorliegenden Horbeispiel die einzelnen Instrumentengruppen.
Preview: Nobody Knows De Trouble I See
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