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Solo soprano voice, basso continuo (Soprano solo, Basso continuo)
SKU: BA.BA10256
Composed by George Frideric Handel. Edited by Stephan Blaut. This edition: urtext edition. Stapled. Barenreiter Urtext. Singing Score, anthology. HWV 269-277. Baerenreiter Verlag #BA10256. Published by Baerenreiter Verlag (BA.BA10256).
ISBN 9790006536535. 11.81 x 9.06 inches. Text Language: Latin. Preface: Stephan Blaut.
Between 1728 and 1747 Handel composed these nine two-part movements for soprano and instrumental bass. Though speculation exists, the occasion for which the pieces were composed as well as the exact date of their composition remain unknown.
The soprano sings short liturgical phrases such as “Amen”, “Allelujah”, “Alleluja, amen” or “Amen, alleluia”. The editor has supplied a text for the movement HWV 275, which until now has, for reasons unknown, been without text. The Amen and Hallelujah movements are in easy keys (using up to one sharp or two flats) and the modulations rarely move to harmonically distant tonal areas. Handel figured the bassline very detailed which plays mostly an accompanying, supportive role, imitating the voice in a few places. The vocal part is distinguished by the repetition of motives, by repeated notes but also by short or extended coloratura. Presumably these movements were intended for use in teaching.
Today these short movements of between 25 and 76 bars lend themselves well to use in church services.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Solo soprano voice, basso continuo (Soprano solo, Basso continuo)
SKU: BA.BA10256
Composed by George Frideric Handel. Edited by Stephan Blaut. This edition: urtext edition. Stapled. Barenreiter Urtext. Singing Score, anthology. HWV 269-277. Baerenreiter Verlag #BA10256. Published by Baerenreiter Verlag (BA.BA10256).
ISBN 9790006536535. 11.81 x 9.06 inches. Text Language: Latin. Preface: Stephan Blaut.
Between 1728 and 1747 Handel composed these nine two-part movements for soprano and instrumental bass. Though speculation exists, the occasion for which the pieces were composed as well as the exact date of their composition remain unknown.
The soprano sings short liturgical phrases such as “Amen”, “Allelujah”, “Alleluja, amen” or “Amen, alleluia”. The editor has supplied a text for the movement HWV 275, which until now has, for reasons unknown, been without text. The Amen and Hallelujah movements are in easy keys (using up to one sharp or two flats) and the modulations rarely move to harmonically distant tonal areas. Handel figured the bassline very detailed which plays mostly an accompanying, supportive role, imitating the voice in a few places. The vocal part is distinguished by the repetition of motives, by repeated notes but also by short or extended coloratura. Presumably these movements were intended for use in teaching.
Today these short movements of between 25 and 76 bars lend themselves well to use in church services.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Nine Amen and Halleluja Movements for Soprano and Basso continuo HWV 269-277
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