My joy is all in thee Cantata for the 3rd day of Christmas by Johann Sebastian Bach 4-Part - Sheet Music
By Johann Sebastian BachThe cantata "Ich freue mich in dir" was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word "Getrost!" (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words "Wie lieblich klingt es in den Ohren" are emphasized in an exchange between open strings and sixteenth note figures.
Details
Summary
- Instrument:
- Choir Voice Basso Continuo
- Ensembles:
- 4-Part SATB Mixed Choir
- Genres:
- Christian Christmas Baroque Period
- Composers:
- Johann Sebastian Bach
- Publishers:
- Carus Verlag
- Series:
- Stuttgart Urtext Edition
- ISBN:
- 9790007097486
Detailed Description
SKU: CA.3113300
Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Carus digital: Sheet music as PDF. Sacred vocal music, Christmas. Full score. Composed 1724. BWV 133. 36 pages. Duration 20 minutes. Carus Verlag #CV 31.133/00. Published by Carus Verlag (CA.3113300).ISBN 9790007097486. 8.27 x 11.69 inches. Language: German.
The cantata "Ich freue mich in dir" was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word "Getrost!" (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words "Wie lieblich klingt es in den Ohren" are emphasized in an exchange between open strings and sixteenth note figures.
Similar Sheet Music & Digital Downloads
- More by this Composer:
- Johann Sebastian Bach Johann Sebastian Bach Piano Johann Sebastian Bach Piano Accompaniment Johann Sebastian Bach Piano Solo
- Series:
- Stuttgart Urtext Edition
- Instrument:
- Vocal Choir Vocal Voice Piano and Keyboard Basso Continuo
- Artists:
- Johann Sebastian Bach Paul Horn
- Ensemble:
- 4-Part SATB Mixed Choir
- Publisher:
- Carus Verlag