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Internationales Symposion Basel 2001. Edited by Hermann Danuser. This edition: Hardback/Hardcover. Book. Publications from the Paul Sacher Foundation Band 9. 445 pages. Paul Sacher Stiftung #PSB 1013. Published by Paul Sacher Stiftung (M7.PSB-1013).
ISBN 9783795704810. German English.
This volume contains papers submitted for the Basle symposium on 'Music theatre today'. As well as introductory presentations that cover a number of themes there are papers which focus on individual aspects of the operatic genre: libretto, music or set design. Contemporary problems in music theatre today are examined against the background of artistic theories and in the light of the creative achievement of individual artists or works. Academic papers on music or the theatre and contributions looking at the world of film and dance are presented alongside observations drawn from practical experience.
Internationales Symposion Basel 2001. Edited by Hermann Danuser. This edition: Hardback/Hardcover. Book. Publications from the Paul Sacher Foundation Band 9. 445 pages. Paul Sacher Stiftung #PSB 1013. Published by Paul Sacher Stiftung (M7.PSB-1013).
ISBN 9783795704810. German English.
This volume contains papers submitted for the Basle symposium on 'Music theatre today'. As well as introductory presentations that cover a number of themes there are papers which focus on individual aspects of the operatic genre: libretto, music or set design. Contemporary problems in music theatre today are examined against the background of artistic theories and in the light of the creative achievement of individual artists or works. Academic papers on music or the theatre and contributions looking at the world of film and dance are presented alongside observations drawn from practical experience.
Vorwort
Einleitung
Musiktheatermusik in unserer Zeit
Oper. Anti-Oper. Anti-Anti-Oper
Sprachskepsis und Sprachverlust im zeitgenossischen Musiktheater
Von grossen Erzahlungen und aphoristischen Tendenzen. Textdramaturgische Strategien im aktuellen Musiktheater
Zitat, Collage, Palimpsest. Zur Textbasis des Musiktheaters bei Luciano Berio und Sylvano Bussotti
CNN Opera: Contemporary History as the Matter of Music Drama
Instrumental Dramaturgy as Humane Comedy: What Next? by Elliott Carter and Paul Griffiths
Narrative and Musical Structures in Harrison Birtwistle's The Mask of Orpheus and Yan Tan Tethera
Theater der Wahrnehmbarkeit. Musikalische Dramaturgie, Szene und Text in Helmut Lachenmanns Das Madchen mit den Schwefelholzern
Autonome Musikdramaturgie. Uber Wolfgang Rihms Seraphin-Projekt
Antonin Artaud. Pierre Boulez. Wolfgang Rihm. Zur Re- und Transritualitat im europaischen Musiktheater
Der Gesang ist nicht zu Ende, aber er ist ein anderer geworden. Was wollen wir von der Oper? Was macht sie mit uns?
Die Oper als Prototyp des Theatralischen. Zur Reflexion des Auffuhrungsbegriffs in John Cages Europeras 1 & 2
Figur und Placement. Korperdramaturgie im zeitgenossischen Tanztheater, am Beispiel von Merce Cunningham und Meg Stuart
Akustische Epiphanien im Kino. Die Aufgabe des Tons im Reich des Sichtbaren, gezeigt am Film Suna no onna
Werkgesprach: Klaus Hubers Oper Schwarzerde. Der Komponist im Gesprach mit Anton Haefeli
Podiumsdiskussion: Musiktheater, eine Institution in der Krise?
Autoren und Gesprachsteilnehmer
Register
Preview: Musiktheater heute Vol. 9
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