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18457609
Musicalische ergotzung - Nurnberg, (undated = 1695)
18457609
18457609

Musicalische ergotzung - Nurnberg, (undated = 1695) by Johann Pachelbel Violin - Sheet Music

By Johann Pachelbel
Musicalische ergotzung - Nurnberg, (undated = 1695) Violin scores gallery preview page 1
Musicalische ergotzung - Nurnberg, (undated = 1695) Violin scores gallery preview page 2
Musicalische ergotzung - Nurnberg, (undated = 1695) Violin scores gallery preview page 3
Musicalische ergotzung - Nurnberg, (undated = 1695) by Johann Pachelbel Violin - Sheet Music
Musicalische ergotzung - Nurnberg, (undated = 1695) by Johann Pachelbel Violin - Sheet Music page 2
Musicalische ergotzung - Nurnberg, (undated = 1695) by Johann Pachelbel Violin - Sheet Music page 3
2 violins and continuo

SKU: FZ.4341

Composed by Johann Pachelbel. Edited by Frohmut Dangel-Hofmann. This edition: Facsimile. Collection Dominantes. Score. Anne Fuzeau Productions - France #4341. Published by Anne Fuzeau Productions - France (FZ.4341).

ISBN 9790230643412. 24.00 x 33.00 cm inches.

This facsimile of an original by Johann Pachelbel is part of our Dominantes collection. Musicalische Ergotzung bestehend in sechs verstimten Partien a 2 violin nebst den Basso Continuo. Edition: Nurnberg, J. C. Weigel, (undated=1695). Presentation by Frohmut Dangel-Hofmann : life and works of Johann Pachelbel Rudolf Franz Erwein von Schonborn and his musical collection Musicalische Ergotzung. Publication in 3 separate parts : violon 1 in scordatura violon 2 in scordatura cembalo (b. c. ) in tonality real. The two violin parts are written in scordatura, which is extremely rare. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.

Facsimile of the unique copy preserved at Wiesentheid castle (Germany). Anne Fuzeau Classique propose period copies of classical music scores.

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