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Composed by Nicolas Bernier. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Sacred. Score. Anne Fuzeau Productions - France #5753. Published by Anne Fuzeau Productions - France (FZ.5753).
ISBN 9790230657532. 24.00 x 33.00 cm inches.
This facsimile of an original by Nicolas Bernier is part of our French classical music collection. Edition : Paris, l'Auteur, Foucault, 1713. The preface includes a catalogue of Bernier's works and a study of his ornamentation. Preface by: Philippe Lescat: catalogue of the works of Bernier. Jean Saint-Arroman: ornamentation - phrasing - time signatures - continuo bass. Other details on the formation: Voices and continuo: Soprano and continuo. Haute-contre and continuo. Bass and continuo. 2 soprano voices and continuo. Soprano, bass and continuo. 2 soprano voices, bass and continuo. Voices, instrument(s) and continuo: Soprano, violin, flute, continuo. Soprano, violin, continuo. Haute-contre, violin, continuo. Bass, 2 violins or flute parts and continuo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.
Composed by Nicolas Bernier. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Sacred. Score. Anne Fuzeau Productions - France #5753. Published by Anne Fuzeau Productions - France (FZ.5753).
ISBN 9790230657532. 24.00 x 33.00 cm inches.
This facsimile of an original by Nicolas Bernier is part of our French classical music collection. Edition : Paris, l'Auteur, Foucault, 1713. The preface includes a catalogue of Bernier's works and a study of his ornamentation. Preface by: Philippe Lescat: catalogue of the works of Bernier. Jean Saint-Arroman: ornamentation - phrasing - time signatures - continuo bass. Other details on the formation: Voices and continuo: Soprano and continuo. Haute-contre and continuo. Bass and continuo. 2 soprano voices and continuo. Soprano, bass and continuo. 2 soprano voices, bass and continuo. Voices, instrument(s) and continuo: Soprano, violin, flute, continuo. Soprano, violin, continuo. Haute-contre, violin, continuo. Bass, 2 violins or flute parts and continuo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.
Preview: Motets for one, two and three voices - Second book
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